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Results for "Rudresh Mahanthappa"
Mark Kleinhaut, Nat Janoff, Guillermo Bazzola, and Shan Arsenault
by Dom Minasi
Welcome back to Guitarists Rendezvous, our second installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. This installment includes a diverse group ...
Mario Pavone: Blue Dialect
by Mark Corroto
Gone are the days where a jazz trio maintains a three month residency, playing nightly in a club. Nor are there world traveling units that refine their skills nightly on the road, working and reworking material. There will be no more piano trios led by the likes of Thelonious Monk and Bill Evans. But have no ...
Bobby Zankel’s Warriors of the Wonderful Sound with Jaleel Shaw at Philadelphia Clef Club
by Victor L. Schermer
Bobby Zankel's Warriors of the Wonderful Sound with Jaleel Shaw Philadelphia Clef Club of Jazz Philadelphia, PA June 2, 2015 This killer of a concert capped a series of four in which Bobby Zankel's Warriors of the Wonderful Sound invited guest artists to join them in performing ...
Bobby Zankel’s Warriors of the Wonderful Sound with Rudresh Mahanthappa at Philadelphia Clef Club 2015
by Victor L. Schermer
Bobby Zankel's Warriors of the Wonderful Sound with Rudresh Mahanthappa Jazz Appreciation Month Ars Nova Workshop Philadelphia Clef Club of Jazz Philadelphia, PA April 7, 2015 Bobby Zankel's Warriors of the Wonderful Sound have been delivering exciting shows featuring Zankel's and others' innovative compositions and arrangements for over fifteen ...
Rudresh Mahanthappa: Bird Calls
by Dave Wayne
On Bird Calls, alto saxophonist and composer Rudresh Mahanthappa takes on the music of Charlie Parker in a personal and profound way, accompanied by his whip-smart, uber-hip and youthful backing band. Let's face it, folks; this is the sort of thing a jazz fan's daydreams are made of. The result doesn't disappoint; Bird Calls is a ...
John O'Gallagher: The Honeycomb
by Mark Corroto
What if jazz was rock-and-roll? Not the corporate-halftime show-American Idol rock, but the dangerous music your parents (maybe grandparents) were afraid of. Remember, there was a time when jazz was threatening. Charlie Parker and Dizzy Gillespie startled listeners with their revolutionary 'bebop,' before Ornette Coleman and Albert Ayler caused fist fights and mini-riots. Jazz has since ...
Rudresh Mahanthappa: Dancing on the Edges of Time
by Victor L. Schermer
Saxophonist and composer Rudresh Mahanthappa is constantly making waves in the music world, expanding the technique of his instrument and integrating jazz and world music, especially that of his parents' native land, India. Brilliantly innovative, he often surprises with his improvisations and the way he transforms the music into something new and stimulating. India's great poet, ...
Vijay Iyer Trio: Break Stuff
by Karl Ackermann
From the time of his debut as a leader nearly twenty years ago on Architextures (Asian Improv Records, 1996), pianist and composer Vijay Iyer has been a great experimenter. The Albany, New York native successfully utilized duplicated patterns and phrasing in a variety of settings from solo piano to ensembles. Advanced as his earlier techniques were, ...
Vijay Iyer Trio: Break Stuff
by John Kelman
When it comes to jazz/improvised music, there are those who, like pianist Keith Jarrett, prefer to approach it with a blank slate, clearing their minds of everything in order to find a way to pull form from the ether. Then there are those who spend considerable time formulating their approach, and coming up with a philosophy, ...
PRISM Quartet: Heritage/Evolution, Volume 1
by Karl Ackermann
Not quite as well-known as the World Saxophone Quartet or the Rova Saxophone Quartet, the PRISM Quartet practices a unique approach to this category of ensemble playing. In part, PRISM takes a more direct aim on improvisation as opposed to the more blended method of WSQ or the openly free style of Rova. More idiosyncratic is ...
