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168

Article: Album Review

Sonny Rollins: Road Shows, Vol. 2

Read "Road Shows, Vol. 2" reviewed by Dan McClenaghan


Tenor saxophonist Sonny Rollins, into his eighth decade now, has nothing left to prove but keeps doing it anyway. The iconic artist has put out classic albums like Newk's Time (Blue Note Records, 1957) and Saxophone Colossus (Prestige Records, 1956) and The Bridge (RCA Records, 1962), continuing to maintain a vibrant career for more than six ...

125

Article: Album Review

Sonny Rollins: Road Shows, Vol. 2

Read "Road Shows, Vol. 2" reviewed by Dan Bilawsky


Road Shows, Vol. 1 (Doxy, 2008) was the cure for all that ailed Sonny Rollins fans who were familiar with his herculean abilities in live settings, yet disappointed with some of his studio output. Famous for being his own worst critic, the tenor saxophonist cherry-picked all of the material for that outing, meeting near-universal acclaim upon ...

235

Article: Album Review

Marquis Hill: New Gospel

Read "New Gospel" reviewed by Alex Marianyi


There's a new generation of jazz musicians brewing on the Chicago jazz scene, and with New Gospel, Marquis Hill has solidified himself as one of its leading trumpet players. Joined by several other young Chicago jazz musicians, Hill makes a bold move by filling his entire first release with his own compositions. Hill's ...

114

Article: Dan's Den

Discovering Discover and Doing a Double-Header

Read "Discovering Discover and Doing a Double-Header" reviewed by Dan Morgenstern


It took me only 27 years to discover the annual Discover Jazz Festival in Burlington, VT, but now, having attended part of the 28th, I must say it was about time! Burlington, where Ben & Jerry's Ice Cream was whipped up, is a charming college town. For 10 days in June, the festival dominates the community, ...

207

Article: Interview

Quentin Moore: Portrait of the Artist as a Young Man

Read "Quentin Moore: Portrait of the Artist as a Young Man" reviewed by Chris M. Slawecki


Much has been recently written about the “graying" of jazz and the audience who listens to it, young musicians seem to continually discover (and rediscover) its enduring value--and not just the value of jazz as its own standalone genre, but the benefit of incorporating aspects of jazz, such as improvisation and arrangement, into music of every ...

34

Video

So What

Featuring the music of Roy Hargrove
Duration: 5:28

Trumpeter Roy Hargrove, soloing on Miles Davis' classic "So What," from Kind of Blue (Columbia, 1959). Performing with Pianist Herbie Hancock's Quintet on the Tribute to John Coltrane tour, 2002, also featuring saxophonist Michael Brecker, bassist George Mraz and drummer Willie Jones III.
571

Article: Live Review

DC Jazz Festival: June 1-13, 2011

Read "DC Jazz Festival: June 1-13, 2011" reviewed by Franz A. Matzner


DC Jazz Festival 2011 Washington, DCJune 1-13, 2011 The DC Jazz Festival's seventh year was defined in equal measure by the event's now distinct combination of local acts and headline guests, spread throughout the city's stages, museums, and local clubs. Unlike many festivals, the DC Jazz Festival has maintained an exclusive ...

269

Article: Album Review

Dida Pelled: Plays and Sings

Read "Plays and Sings" reviewed by C. Michael Bailey


Youthful precociousness is one thing. There is typically an element of immaturity present. Fully developed and evolved at a young age is something else entirely. Israeli Dida Pelled has emerged fully formed as singer and instrumental soloist in New York City, after completing her obligation to the Israeli military and relocating there (not unlike fellow countryman/saxophonist ...

215

Article: Album Review

Dida Pelled: Plays And Sings

Read "Plays And Sings" reviewed by Dan Bilawsky


While no “one size fits all" prescription exists for molding and educating unique artists, some schools seem to have an exceptional track record. A large segment of the who's who of jazz greats from Detroit went through Cass Technical High School and more than a few Texas jazz titans received their education at Booker T. Washington ...

119

Article: Album Review

Stan Killian: Unified

Read "Unified" reviewed by Bruce Lindsay


Unified is tenor saxophonist Stan Killian's third album and his debut for the Sunnyside label. It's high-quality, straight-ahead modern jazz, played with a real swing by Killian and his band, and enlivened by the contributions of three top-drawer guest horn players. Leader/composer Killian hails from Texas, home of Texas tenors like Arnett Cobb ...


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