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Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
Thelonious Monk: A Thriving Legacy
by Doug Hall
If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one piece—Thelonious Monk's individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of the ...
Eddie Sauter: A Wider Focus
by Chris May
For many people, composer and arranger Eddie Sauter's reputation begins and ends with Stan Getz's Focus (Verve, 1962). The album is, indeed, a masterpiece. But it is only one of the pinnacles of Sauter's career, which started during the swing era. Nor is Focus Sauter's only collaboration with Getz. The partnership continued with the less widely ...
Joe Martin, Joe Chambers & Roy Eldridge
by Joe Dimino
New York City bassist Joe Martin has Kansas City roots and is featured on the 689th Episode of Neon Jazz. Following his lead is a great group of musicians whi are constantly releaseing material keeping the world of jazz an innovative artistic medium. They include Patrick Cornelius, Tarik Hassan, Joe Chambers and Gerald Beckett. Enjoy the ...
Jazz Musician of the Day: Roy Eldridge
All About Jazz is celebrating Roy Eldridge's birthday today! Roy David Eldridge was a jazz trumpet player in the Swing era. His sophisticated use of harmony, including the use of tritone substitutions, resulted in him sometimes being seen as the link between Louis Armstrong-era swing music and Dizzy Gillespie-era bebop. Roy's rhythmic power to swing a ...
Thelonious Monk: An Alternative Top Ten Albums Of Deep And Staggering Genius
by Chris May
Thelonious Monk's position in cultural history grows in stature with each passing year and every new generation. Lionised by jazz fans and a continuing influence on musicians, Monk in 2020 is also held to be a hero by the hip hop movement. While his music no longer has the power to shock that it once possessed, ...
Ornette Coleman: An Outsider Cracks the Egg
by S.G Provizer
Part 1 | Part 2 There are two ways a musician can make a significant impact on jazz. One is to mobilize virtuosity and knowledge to push the current boundaries of the music. There are a number who fall in this category, but unassailable examples are Louis Armstrong, Art Tatum and Charlie Parker. The ...
Marvin Stamm: Team Player
by R.J. DeLuke
Trumpeter Marvin Stamm is known for being part of a gazillion albums, having that ability to go into a studio and play exactly what's required, whether it's for a records by pop singers, jazz artists, Paul McCartney, Donny Hathaway or touring with Frank Sinatra. It's a reputation the highly skilled player earned with hard work.
John Swana: Philly Gumbo
by Victor L. Schermer
From the 1995-2003 archive: This article first appeared at All About Jazz in June 2000. In addition to being one of the finest contemporary jazz trumpet players, John Swana is a human being who is spontaneously authentic and refuses to play a false role. Having reached the ripe old age of 38, John has ...
