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5

Article: Album Review

Penetralia: Grix

Read "Grix" reviewed by John Sharpe


Three Greeks based in the musical melting pot of Berlin comprise the cooperative Penetralia. Best known may be reedman Floros Floridis, who has worked with both late master bassist Peter Kowald and drummer Gunter “Baby" Sommer (on the bassist's Off The Road (Rogue Art, 2007) DVD). Completing the trio are Antonis Anissegos on piano and Yorgos ...

3

Article: Album Review

Anna Webber’s Percussive Mechanics: Refractions

Read "Refractions" reviewed by Mark Corroto


Credit the new generation of jazz musicians for neither following tradition, nor coloring within the lines. Their music is not created within “the tradition." Unless, of course, that tradition includes maverick innovators like Anthony Braxton, Roscoe Mitchell, and John Zorn, players that, at times, have been given the label of non-jazz. This new crop of players ...

1

News: Video / DVD

Weekend Extra: Art Ensemble Of Chicago

Weekend Extra: Art Ensemble Of Chicago

From the mid-1960s through the early years of this century, the Art Ensemble of Chicago crafted elements of free jazz into an ensemble personality that brought it extensive exposure. Often, as much attention went to the band’s costumes and makeup as to its wide range of influences from all eras of jazz and music of Africa, ...

5

Article: Album Review

Matana Roberts: Always

Read "Always" reviewed by Mark Corroto


The saxophone is possibly the musical instrument that produces a sound closest to the human voice. Listening to a virtuoso saxophonist like Matana Roberts, one hears more than just breath through a reed instrument. Her solo recording Always, travels beyond voice, to mind, body, and spirit. Recorded in studio, without the benefit of a ...

Article: Live Review

Vicenza Jazz 2015

Read "Vicenza Jazz 2015" reviewed by Libero Farnè


Vicenza Jazz 2015 vari teatri 8 -16 maggio A differenza degli altri anni, non ha voluto affrontare temi specifici la ventesima edizione di Vicenza Jazz (8-16 maggio in vari spazi), preferendo offrire una possibile sintesi di un'esperienza ventennale di suoni, ritmi e visioni. Come ha ammesso lo stesso Riccardo Brazzale, direttore artistico ...

2

Article: Album Review

Joe McPhee: Solos : The Lost Tapes (1980 – 1981 – 1984)

Read "Solos : The Lost Tapes (1980 – 1981 – 1984)" reviewed by Mark Corroto


The young cats (players thirty years his junior) know Joe. Players who have immersed themselves in free improvisation, like Ken Vandermark, Mats Gustafsson, Peter Evans, Martin Kuchen, and Mikołaj Trzaska, learned the possibilities of creating a new music from, not thin air, but from listening. They model their approach after Joe McPhee. Born in ...

6

Article: Album Review

Anthony Braxton Quartet: (Santa Cruz) 1991 1st Set

Read "(Santa Cruz) 1991 1st Set" reviewed by Mark Corroto


Decoding the music of Anthony Braxton might be a lifetime's mission. With his symbol system compositions and grand unification theories, even the trained ear admits to perplexity and a certain ignorance. Braxton has never stopped, nor slowed to explain himself to listeners. There are moments of insights though, in his performances. One can glean his approach ...

6

Article: Album Review

Matthew Shipp & Mat Walerian Duo / The Uppercut: Live At Okuden

Read "Live At Okuden" reviewed by Mark Corroto


Jane Austen was mistaken when she wrote “Surprises are foolish things. The pleasure is not enhanced, and the inconvenience is often considerable." Passing away at the age of 41 in 1817, she would not have had the opportunity to hear either jazz, nor the music of Matthew Shipp and Mat Walerian. The surprise here ...

Article: Lyrics

La persistente attualità di Tim Berne

Read "La persistente attualità di Tim Berne" reviewed by Libero Farnè


Negli ultimi tempi sembra che Tim Berne, sessant'anni compiuti il 16 ottobre 2014, stia vivendo una seconda giovinezza e una grande maturità creativa, che lo hanno portato anche a collaborare con vari gruppi di musicisti emergenti che si potrebbero idealmente considerare suoi allievi. Dopo essere giunto a incidere per la ECM ha raggiunto un riconoscimento ancora ...

Article: Album Review

Branford Marsalis: In My Solitude - Live at Grace Cathedral

Read "In My Solitude - Live at Grace Cathedral" reviewed by Angelo Leonardi


Il primo jazzman non pianista a incidere in piena solitudine fu il sassofonista Coleman Hawkins, con il celebre “Picasso" del 1947. Per molto tempo la solo performance è stata marginale nella musica afroamericana e solo negli anni settanta ha conosciuto ampia diffusione grazie a strumentisti come Steve Lacy, Anthony Braxton, Roscoe Mitchell, Bill Dixon o Albert ...


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