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Beekman: Vol. 02

by Dave Wayne
Beekman is a super-tight collective quartet whose members hail from three (count 'em) different continents. Pianist Yago Vazquez is from Spain, reedman Kyle Nasser is an American, and the entire rhythm section--bassist Pablo Menares and drummer Rodrigo Recabarren--hails from Chile. Their prosaically-titled sophomore album, Vol. 02, is more-or-less in the same brainy-but-chill modern jazz style as ...
Akinola Sennon: Cousoumeh

by Nigel Campbell
Trinidadian steelpan player and musical director of local steelband Siparia Deltones, Akinola Sennon's Cousoumeh is a mix of effective songwriting and performance and a daring leap into a new way of hearing improvised music from the Caribbean. Ropeadope Records--an increasingly important record label in the U.S.--is home to steelpan jazz artists Leon Foster Thomas ...
Frank Catalano, Jimmy Chamberlain, David Sanborn: Bye Bye Blackbird

by Angelo Leonardi
Frank Catalano dev'essere stufo dell'etichetta di giovane prodigio." Alla soglia dei 40 anni con una carriera ventennale, il musicista di Chicago ha tutte le carte in regola per essere considerato un esponente di punta tra i sassofonisti Rhythm & Blues, i cosiddetti honkers. Ha esordito a 17 anni con l'organista Charles Earland, l'anno seguente era già ...
Winston Byrd: Once Upon a Time Right Now

by Nicholas F. Mondello
"Once Upon A Time" usually prefaces a fairy tale, Aesopian fable, or, a Hollywood action movie. While no tale of witches, Princess Brides, or cigar-chomping cowboys, this recording from trumpeter Winston Byrd and his magnificent more-than-seven is an overall right now hoot. An aural feast where Byrd is Exec Chef, the production delivers superbly-performed ...
Jeremy Danneman: Lost Signals

by Mark Corroto
Lost Signals is the third Jeremy Danneman Ropeadope Records release from a series of sessions recorded in the fall of 2013 with bass icon William Parker, percussionist Tim Keiper, and guitarist Anders Nilsson. You might think that after culling tracks for Lady Boom Boom (2015) and Help (2015) from these sessions, that a third release might ...
Leon Foster Thomas: Metamorphosis

by Dave Wayne
Throughout the history of jazz, what once seemed to be oddball instruments have inexorably become part of accepted sonic landscape, while others have fallen into disuse. It's hard to believe that the vibraphone, flute, and violin were once seen as un-swinging, non-jazz instruments, while the banjo and tuba were considered essential linchpins of the jazz sound. ...
Leon Foster Thomas: Metamorphosis

by James Nadal
Being one of the newest percussion instruments on the planet, (circa 1939) the steel pan is actually on a similar timeline with the development of modern jazz. Taking into consideration strong African influences and a hybridization process, they appear to be a natural combination. Pan Master Leon Foster Thomas has taken the instrument most associated with ...
‘Nuf Said: Rise

by Dan Bilawsky
The music of 'Nuf Said is neither jazz nor funk nor soul nor rock. It's all of it and more. This New York-based quintet taps into each of those styles and mixes them all together to create a groove-heavy, stirring brand of music that's all its own. Rise--'Nuf Said's second album, following My ...
Avram Fefer's Big Picture Holiday: Shimmer And Melt

by Mark Corroto
Let's rescue the musical descriptor 'fusion,' a pejorative word used in jazz circles to connote a work of lesser weight and significance. We don't use that word when the jazz fusion is carried out by Tony Williams, Wayne Shorter, and in this case saxophonist Avram Fefer. His assemblage called Big Picture Holiday merges not just jazz ...
Jeremy Danneman: Help

by Glenn Astarita
New York City resident, reedman and pianist, Jeremy Danneman is the founder of the Parade of One Project, an organization that engages the international community with a unique blend of performance in public spaces, recording, and educational programming." He's also an educator and lecturer. On his second release for Ropeadope as a leader he garners the ...