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Article: Book Review

Charles Lloyd: A Wild, Blatant Truth

Read "Charles Lloyd: A Wild, Blatant Truth" reviewed by Ian Patterson


Charles Lloyd: A Wild, Blatant Truth Josef Woodard 229 Pages ISBN: 978-1-935247-13-5 Silman-James Press 2016 A book on Charles Lloyd--one of the most celebrated and enigmatic jazz musicians of the past fifty years--has been a long time coming. It's been a while in the making too, for author ...

15

Article: Album Review

Tania Stavreva: Rhythmic Movement

Read "Rhythmic Movement" reviewed by Karl Ackermann


Pianist and New York City resident Tania Stavreva is a cross-genre trailblazer in the vein of a Stefano Battaglia. More than being at home in both classical and jazz, the Bulgarian native has found an approach that--when desired--connects elements of each form and adds her own methods, resulting in a unique hybrid. The twenty-something artist has ...

3

Article: Interview

Ashley Kahn: The Making of the Miles Davis Masterpiece

Read "Ashley Kahn: The Making of the Miles Davis Masterpiece" reviewed by Lazaro Vega


This interview was first published at All About Jazz in November 2000 and is part of our ongoing effort to archive pre-database material. Ashley Kahn, the author of Kind of Blue: The Making of the Miles Davis Masterpiece (Da Capo Press, 224 pgs.), is Music Editor at VH1, and was the primary editor ...

13

Article: Album Review

Joshua Breakstone/The Cello Quartet: 88

Read "88" reviewed by Mark Sullivan


Veteran guitarist Joshua Breakstone pays tribute to some of his favorite pianist/composers here. He tells a story about a fellow Berklee student (a saxophonist) who asked legendary saxophonist Sonny Stitt if he could sit in. Stitt shut him down with the question “how many keys on a saxophone?" The novice couldn't answer--there are 23--but everyone knows ...

6

Article: Album Review

Miles Davis: Freedom Jazz Dance: The Bootleg Series Vol. 5

Read "Freedom Jazz Dance: The Bootleg Series Vol. 5" reviewed by Doug Collette


If ever a band of Miles Davis' deserved the high-intensity inspection/dissection represented by The Bootleg Series Vol. 5, it is his second great quintet. With that man with the horn as the great catalyst, the rapport between pianist Herbie Hancock, saxophonist/composer Wayne Shorter, bassist Ron Carter and drummer Tony Williams is virtually unparalleled in the history ...

5

Article: Profile

Paul Winter Sextet: Count Me In

Read "Paul Winter Sextet: Count Me In" reviewed by Duncan Heining


The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...

8

Article: New York @ Night

Eric Reed Quartet, Henry Grimes and George Coleman Quartet

Read "Eric Reed Quartet, Henry Grimes and George Coleman Quartet" reviewed by Peter Jurew


Eric Reed Quartet SMOKE Jazz & Supper Club New York, NY October 2, 2016 The gifted pianist and composer Eric Reed plays at times with a lightning-quick, cat-like touch, at others with slow, deep resonance, lush and lyrical. He can change from one to the other in the ...

2

Video

I Only Have Eyes for You

Featuring the music of Ron Carter
Duration: 3:23

Performed by the legendary Ron Carter and his quartet with the gorgeous heart warming vocals of Vitoria Maldonado. From the Album BRASIL L.I.K.E.
5

Article: Album Review

Ron Carter Quartet & Vitoria Maldonado: Brasil L.I.K.E

Read "Brasil L.I.K.E" reviewed by Dan Bilawsky


The road that connects Brazilian music and jazz--the essential thematic nexus on this collaborative venture that brings bassist Ron Carter (and his quartet), vocalist Vitoria Maldonado, Ruria Duprat's Brasilian Orchestra, and a handful of guest soloists into the same line of thinking--has always been a two way street, as both forms benefit and borrow from one ...

2

Article: Album Review

Milt Jackson: Sunflower / Goodbye

Read "Sunflower / Goodbye" reviewed by Jakob Baekgaard


Even if vibes player Milt Jackson had just played with The Modern Jazz Quartet and not embarked on a solo career, his place in jazz history would be secure. However, Jackson was much more than a vital part of the famous chamber jazz group and he recorded a string of excellent albums, including three sessions as ...


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