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Charles Lloyd: Tone Poem
by Eric Gudas
Charles Lloyd and The Marvels' April 2017 performance at UCLA's Royce Hall, with guest vocalist Lucinda Williams, was nothing but highlights--from Lloyd's dance moves across the stage as one or other of his bandmates soloed, to Williams' impassioned performances on such songs as Bob Dylan's “Masters of War" and Jimi Hendrix's “Angel." They also played a ...
Franco Ambrosetti: Busy Businessman, Exquisite Artist
by R.J. DeLuke
Franco Ambrosetti, a horn player from Switzerland, has a unique perspective on music and art. Because his vantage point is different than many musicians, having held the position as CEO of a significant company in Europe. He plays trumpet and flugelhorn with a rich tone and an approach that has matured over time, shifting from a ...
Swantje Lampert: Now!
by Chris May
The Austrian tenor saxophonist Swantje Lampert caught the jazz bug relatively late, while studying for a degree in law. She took up the saxophone and, some twenty years later, after graduating from the Vienna Conservatoire and the Berklee School of Music, has matured into an assured player and a characterful composer. Lampert is ...
Leon Lee Dorsey: Thank You Mr. Mabern!
by Mike Jurkovic
He's studied classical double bass with Ron Carter and he's played alongside many of our most revered, among them Lionel Hampton, Art Blakey, andCassandra Wilson. Still, bassist/composer/arrangerLeon Lee Dorsey's name doesn't roll off everyone lips when discussing the top ranks of today's foremost, fearless bassists. But here's breaking news: Dorsey's got himself one hell of a ...
Roy McCurdy: From Cannonball to the Rochester Music Hall of Fame
by Scott Gudell
When we placed a call from New York to Los Angeles in the early part of 2021, the articulate and vibrant drummer Roy McCurdy answered and quickly connected us back to the 1950s. He told us about his hometown of Rochester, New York, his early days performing with Chuck Mangione and Gap Mangione and how he ...
My Conversation with Chick Corea
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in August 1999. It would be silly for me to even attempt to pontificate on the ramifications Chick Corea has had on this music. But it should be universal that his impact has been substantial at worst. So I will let him ...
Brian Jackson: Winter In America Pt. 2
by Chris May
As Gil Scott-Heron's songwriting and performing partner during the 1970s, keyboardist, composer and arranger Brian Jackson was co-author of some of the most galvanising liberation music of the era. Inhabiting the intersection of jazz, soul and spoken word, Jackson and Scott-Heron, who met while they were both students at Lincoln University, were a team from Pieces ...
Monty Alexander: Love You Madly: Live at Bubba's
by Jim Worsley
Risk and reward is honored in the selection of this premium sound night club gig from nearly forty years ago. Just how such a recording is going to play in a current climate is tricky business. Is it vintage or is it outdated? Is it a fond remembrance or better left forgotten? The answers are of ...
Emmet Cohen: Future Stride
by Mike Jurkovic
As proven onstage as well as on such percolating, locomotive recordings as 2018's self released Dirty In Detroit, Masters Legacy Series Vol 1 with Jimmy Cobb (Cellar Live, 2016), 2018's Masters Legacy Series Vol 2 with Ron Carter (Cellar Live), and his regular Monday Night Quarantine Jams on Facebook, pianist Emmet Cohen makes his music with ...
Ten Tiptop Albums Which Include Thelonious Monk & Denzil Best’s Totally Rocking “Bemsha Swing”
by Chris May
That was the opinion expressed in Inside Jazz by its author, Leonard Feather, who, on the front cover of the book's first edition in 1949 was described as “America's No.1 Authority On Be-Bop." Well, at least Feather was half right about the attractive tunes. In fact, Monk is known to have written at least eighty of ...
