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Luis Perdomo: Walking Towards the Light
by R.J. DeLuke
Pianist Luis Perdomo's fingers dart across the keys, eloquently telling the stories that traverse his mind in that instant; doing so in a manner that enraptures an audience. He moves people, and does so in a manner that appears, on the surface, easy. Like great athletes. Like other great musicians. This is one of the finer ...
Eat Worms Or Be Loved
by Bruce Lindsay
The first JazzLife UK article of 2012 has been some time coming: my apologies to anyone who noticed. By way of recompense this edition moves beyond the narrow confines of the British Isles to discuss an international Jazz Quandary: if jazz has gone so horribly wrong, how can we fix it?It's a big question ...
Enough With The Search For A "Jazz Savior"
Every so often, a barrage of articles and blog posts come out claiming that jazz has found the musician or musicians that are going to “save” jazz. More often than not, these musicians are achieving some current commercial success and popularity among a broad audience outside of the typical “jazz head” community. The newest jazz savior? ...
Badbadnotgood: BBNGLIVE 2
by Thomas Carroll
Hip-hop grooves and electronics are not new to the jazz world. In the 1970s, forward-thinking jazz giants such as trumpeter Miles Davis and keyboardists Herbie Hancock and Chick Corea popularized the sound of electrified keyboards and horns supported by rhythm sections of slapping bass players, superhuman fusion drummers and funky electric guitarists. Since at least 2003, ...
Robert Glasper Trio - Maiden Voyage/Everything in its Right Place
Featuring the music of Robert Glasper
Duration: 10:32
Robert Glasper: Temptation Redux
by Anthony King
"Hello world, peace and love--I wish you the best, and now for the next" are the first words uttered with the cadence of a street corner preacher-come poet by Shafiq Hussein, only two bars into Robert Glasper's Black Radio (Blue Note, 2012). As if to lay down the essence of his latest record right off the ...
Steve Lehman Trio: Dialect Fluorescent
by Mark Corroto
Decoding the music of saxophonist Steve Lehman has become a diversion for many a jazz listener (and critic). Sometimes composed with the help of programming software, his harmonies are meshed with mercurial rhythms. When played by his octet, his music gives the impression that it requires a scorecard to keep tabs on its perplexing complexities.
Johnathan Blake: The Eleventh Hour
by Troy Collins
Some debut recordings encapsulate all of an aspiring artist's diverse interests; others are less ambitious, and merely document a particular ensemble or performance. The Eleventh Hour, an expansive tour de force by rising drummer Johnathan Blake, is a prime example of the former. Blake's successful merger of styles should come as no surprise; in addition to ...
Willard Jenkins Ponders the Audience-Friendly Factor...
Robert Glasper backstage at Oberlin College the other night greeting one of his fans, the writer's daughter Iyesha Jenkins. One element of our dialogue on the black audience for creative music, as well as our conversation with Nicholas Payton (scroll down for that dialogue) and his ongoing promotion of the omnibus term BAM" relates to the ...
Robert Glasper: Black Radio
by Eugene Holley, Jr.
Depending on your age, Houston-born pianist/composer Robert Glasper is--like trumpeters Christian Scott and Ambrose Akinmusire, and bassist/vocalist Esperanza Spalding-either the herald of a new world a-comin' when jazz musicians will be heard on pop radio on a regular basis, or he's a throwback to the golden age of the seventies, when jazz stars, from Herbie Hancock ...





