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Richard Wyands
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A fine pianist whose chord voicings are a little reminiscent of Red Garland, Richard Wyands has spent most of his career as a sideman. He started working in local clubs when he was 16, graduated from San Francisco State College, and gained experience playing in the San Francisco Bay area. Wyands, who was a sideman on a few early dates for Fantasy, spent time accompanying Ella Fitzgerald (1956) and Carmen McRae. He moved to New York in 1958, where he played with Roy Haynes, Charles Mingus (1959), Gigi Gryce's quintet, Oliver Nelson, Etta Jones, Eddie "Lockjaw" Davis, and Gene Ammons, among others
Joel Weiskopf: New Beginning
by C. Andrew Hovan
For better or worse, it seems that any artistic endeavor that involves the true expression of raw human experience and emotion is destined to have appeal to only a small and select audience. This dilemma becomes even more daunting for the artist in today's technology-laden society where electronic communication has taken the place of face-to-face conversation. ...
Matthew Shipp: A Dozen Essential Albums
by Karl Ackermann
While he was still in his fifties, some pundits were hailing Matthew Shipp as the “elder statesman" of avant-garde jazz piano. The sentiment, if not the Stonehenge-like title, was spot on. The jny: Wilmington, Delaware native grew up in jazz, with trumpeter Clifford Brown being a family friend. Shipp began studying piano at age 6 and ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
Blue Note Records: Lost In Space: 20 Overlooked Classic Albums
by Chris May
For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...
Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums
by Chris May
With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Blue Note Review 2 & Play a Game with DrJ, Newk & Lady Day
by Marc Cohn
It's Gifts and Messages show No. 400 from the studios of WHYR—how did that happen? To celebrate (but let's face it, we celebrate every week), we have a game for you: tunes written by famous saxophonists 'reimagined' in 2019—name the composer. We also have a start on listening to the Blue Note Review #2 collectors' box ...
Jazz on Film: Beat, Square & Cool
by Skip Heller
Again presenting eight film scores spread across five discs, packaged in a gorgeous box and enclosed with a beautifully illustrated and comprehensively notated booklet, the Moochin' About staff (who are also the force behind the excellent British magazine Jazzwise) have returned with their second installment of noir and near-noir jazz movie music. As with their previous ...
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