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Art Pepper: Gettin' Together
by Richard J Salvucci
Roughly about a year before Art Pepper was sentenced to 3 to 20 years in San Quentin State Prison on heroin charges, he made this recording. Miles Davis' rhythm section was briefly available in Los Angeles. So Pepper had a chance to reprise his wonderful performance in Art Pepper Meets the Rhythm Section (Original Jazz Classics, ...
Julia Danielle: Julia Danielle
by Richard J Salvucci
Julia Danielle is a young Chicago-based singer whose debut album shows considerable promise. Aside from a limpid contralto voice, good time, and a dead-on resemblance in profile to Mexican artist Frida Kahlo (it cannot hurt), she is the epitome of effortlessness and good taste in her approach to the Great American Songbook. One ultimately suspects she ...
Richard J Salvucci's Best Jazz Albums Of 2024
by Richard J Salvucci
Bandleader Glenn Miller would introduce a part of his 1930s radio broadcast with the phrase “Something old, something new, something borrowed, something blue." If you review enough classic vinyl rereleases, you get plenty of something old. The new here is obvious and a joy to hear. Only problem is that it will be 2025 before making ...
Doug MacDonald: Live at the Rancho Mirage Library
by Richard J Salvucci
"Another damn'd thick, square book! Always scribble, scribble, scribble! Eh! Mr. Gibbon?" Well, maybe the Duke of Gloucester did (or did not say it) on the publication ofThe Rise and Fall of The Roman Empire, but something similar comes to mind when Doug McDonald's most recent recording comes to hand. “The SoCal guitarist has been at ...
Roberto Roena: Roberto Roena Y Su Apollo Sound
by Richard J Salvucci
Mention Roberto Roena to any fan of Latin music, and salsa royalty is on the menu. This pioneering band, literally in the works as Neil Armstrong took Apollo 11 to the moon in the summer of 1969, took its name from the space program and is rightly considered a classic of the mixed genre--jazz, funk, rock, ...
Café: Café
by Richard J Salvucci
Reviewing an archival album is always a challenge. To do something justice is a matter of both gaining and losing perspective: to hear it as an audience first did, and then, presumably, to find its influence, if consequential. Verifying a band's authenticity is usually not difficult but Café presents just such a problem. Its single release ...
Ismael Rivera: Traigo de Todo
by Richard J Salvucci
Ismael Rivera (1931-1987) is one of the key figures of Puerto Rican salsa, an early exponent and pioneer, and so recognized on the island today, largely because of his sojourn in New York City. His career started in his late teens in Santurce while he was still employed as a laborer on the island, but he ...
Teddy Edwards / Howard McGhee: Together Again!!!!
by Richard J Salvucci
Howard McGhee was one of the cats present at the creation, when bop became a thing. His life embodied a classic redemption story, complete with death (metaphorically) by drugs, years in exile and finally, by dint of his own struggles and a timely gig with Woody Herman, resurrection. While he had been widely admired and respected ...
Gino Amato: Latin Crossroads
by Richard J Salvucci
The urge to take advantage of a successful commercial genre never really dies. Back in the 1960s, a studio orchestra nominally assembled by bandleader Glen Gray released a recording, Sounds of the Great Bands in Latin (Capitol, 1964). It took tunes like “Early Autumn" or “A String of Pearls" and added a “Latin" flavor with jazz ...
Righteous Rooster: Fowl Play
by Richard J Salvucci
Time was when organ trios were thick on the ground. They were just bluesy enough, soul-inflected and grooving enough to capture a younger audience raised on something other than swing or even bop, although there were a few hard-bop outfits too. Many fondly remember Charles Earland who covered pop hits like “Aquarius" or “More Today than ...
