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Talking Cows: Almost Human

by Raul d'Gama Rose
If there is anything better than the off-the-wall humor of the video promo that preceded this Talking Cows album, it is the actual album itself. Yet much more than the humor of it all is the spectacular seriousness of the music: deadly serious, and for those familiar with the high standards of music (and humor) in ...
Eugene Chadbourne and Warren Smith: Odd Time

by Raul d'Gama Rose
All art is activist; or at least it should be when it challenges established and accepted forms that play to the laissez-faire, the reactionary and the antisocial--and the greater good of the greater number of people experiencing (or trying to experience) it. The music of Beethoven was just so, the composer cancelling the dedication of his ...
The Tierney Sutton Band: American Road

by Raul d'Gama Rose
Tierney Sutton inhabits songs as few vocalists can or do: with a certain vulnerability and powerful drama that imbues each song with an electricity that sends tingles up and down the spine. These singular characteristics melt into her sense of how to vary her phrasing with such subtlety that, if the inner ear is not tuned ...
Jerry Gonzalez: Y el Comando de la Clave

by Raul d'Gama Rose
In considering living modern masters of the trumpet, Wynton Marsalis comes to mind first, not Jerry Gonzalez. This is a travesty, because in the warm, bronze glow of Gonzalez's sound there is a singular majesty that deserves much wider recognition than the trumpeter gets. Perhaps it is because he plays in an idiom slightly more insular ...
Jonas Knutsson: Blaslatar

by Raul d'Gama Rose
To the English-speaking world, the titles of Blaslatar's songs may be daunting to pronounce, but it's strongly advised to get over it because that is when the true majesty and breathtaking beauty of Jonas Knutsson's playing can be truly appreciated. The saxophonist was raised in Umea, Sweden by parents who hosted the annual jazz festival there. ...
Bobby Bradford / John Carter Quintet: Comin' On

by Raul d'Gama Rose
In a music industry that is for-profit by definition, the relative ignorance of history and the importance of musicians who made it historic borders on the criminally insane. How else could the complete disregard for contributions of Herbie Nichols by the industry be explained? Add to that a slew of greats who continue to be ignored ...
Mike Prigodich: A Stitch in Time

by Raul d'Gama Rose
Mike Prigodich's A Stitch in Time comes as a pleasant surprise, not only because the pianist displays astounding technique, but because he dazzles with the dramatic nature of his playing. Yet the drama is no ruse or distraction from the heart of his music, which is highly charged with emotion. This is, of course, reflected in ...
Tim Hagans: The Moon is Waiting

by Raul d'Gama Rose
Trumpeter Tim Hagans shares a couple of things in common with Miles Davis. One is his absolute belief that his instrument shares something visceral with keeping fundamentally correct time--and therefore, on The Moon is Waiting, with drummer Jukkis Uotila. The other is his dalliances with the notes he plays; it is not that he always plays ...
NYJAZZ Initiative: Mad About Thad

by Raul d'Gama Rose
Mad About Thad is a superb homage to the man Charles Mingus once called Bartók with valves." Thad Jones--middle brother of the Pontiac, Michigan dynasty that produced pianist Hank Jones and his younger brother, drummer Elvin Jones--was one of the true unsung geniuses of the trumpet. He was also less frequently recognized as a composer, except ...
Pascal Marzan / John Russell: Translations

by Raul d'Gama Rose
The magic of Pascal Marzan and John Russell's Translations lies in the miraculous pliability of strings. The two guitarists are dangerously adventurous, although one is slightly more programmatic than the other; still, both artists test the elasticity of their nylon and steel strings to the maximum extent. It is almost certain, however, that Marzan and Russell ...