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Louie Belogenis
Born:
Louie Belogenis is a self-taught musician who came of age during the heady days of the old East Village, when the remnants of a New York City avant-garde were still alive. Influenced by Buddhism, poetry, film, music, dance, and theater (he was a member of Richard Foreman’s Ontological-Hysteric Theatre for four years), Louie felt like a bohemian Alice in an esoteric Wonderland.
At this time he became friends with John Zorn, who selected Louie’s first saxophone from We Buy on Third Avenue and 11th Street. Encouraged by Zorn and musicians like Bill and Wayne Horvitz, Phillip Johnston and Joel Forrester, he entered the proverbial woodshed, occasionally emerging to perform in public. It was during a gig with William Hooker’s ensemble that Rashied Ali heard Louie play, and invited him to visit his studio, the site of the former club Ali’s Alley. That fortuitous meeting led to the band Prima Materia, and many recordings and tours throughout the mid- and late 90’s. The relationship with Rashied continued up to the master’s untimely passing in 2009, with Louie visiting – sometimes on a weekly basis – to play and listen to stories from ‘back in the day.’
Francisco Mela & Zoh Amba: Causa y Efecto, Vol. 2
by Mike Jurkovic
Causa y Efecto, Vol. 2 avalanches into a tidal surge of Francisco Mela's terrestrial rhythms and saxophonist/flautist Zoh Amba's unhinged, Albert Ayler like howls. Explosive from the onset and unencumbered by composition, “Causa y Efecto" roils without contrition; setting the stage for the firestorm to come. Mela's incantations--both verbal and percussive--open the magic door through ...
Alma Tree: Sonic Alchemy Suprema
by Karl Ackermann
New York native Ra Kalam Bob Moses grew up in the same building as Max Roach, Art Blakey and Elvin Jones. Early on he saw performances by many of the best jazz drummers in history, including Roy Haynes, Rashied Ali, Milford Graves, Billy Higgins, and Ed Blackwell. As a teenager in the mid-1960s, he played with ...
Alan Shorter: Mephistopholes To Orgasm Revisited
by Chris May
It is often said of a musician, be they alive or no longer with us, that they deserve to be better known. This is emphatically true of the wayward trumpeter and composer Alan Shorter, who was overshadowed during his lifetime by his brother, Wayne Shorter, and who continues to be passed over today in 2024.
James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz
by Angelo Leonardi
Da circa un decennio il jazz statunitense e britannico vede l'emergere di giovani protagonisti che spezzano i confini tra i generi “colti" e popolari, operando una sintesi sfaccettata tra le molte espressioni della black music. Un torrente tumultuoso che viene alimentato dalle spinte politico-identitarie della comunità afroamericana (la rinascita dell'Afrofuturismo, il movimento Black Lives Matter), che ...
Faith Brackenbury / Tony Bianco: Wayward Mystic-Improvisations inspired by the music of St.Hildegard von Bingen
by John Sharpe
Violin and drum duos are something of a rarity in the jazz and improvised music arena. Swift Are The Winds Of Life (Survival, 1976) by Leroy Jenkins and Rashied Ali, and Bangception (Hat Musics, 1983) by Billy Bang and Denis Charles come to mind, but few others. However, violinist Faith Brackenbury and drummer Tony Bianco make ...
Glass Triangle: Blue and Sun-lights
by John Sharpe
The transatlantic trio of electric harpist Zeena Parkins, saxophonist Mette Rasmussen and drummer Ryan Sawyer, working under the moniker Glass Triangle, reunites for Blue And Sun-Lights. It is the second release as a group following an eponymous debut recorded in 2019. The band brings together a unique set of experiences--downtown sass from Parkins, European free jazz ...
The Jazz Doctors: Intensive Care / Prescriptions Filled
by Chris May
Beyond its initiates, the so-called New Thing which emerged in mainly, but not exclusively, Black US jazz in the 1960s/70s, was perceived so amorphously that prairie-wide distinctions between its practitioners went unregarded. Among the general jazz audience, the musicians were lumped together as a horde of crazed zombies who lacked all technique, and who had replaced ...
Not Like Before: Michael Robinson's Jazz Without Borders
by Michael Robinson
Playing my personal vision of jazz, claiming that name as part of my heritage, I endeavor feeling the rhythms of life in the present, past and future, entering into them through touch and nuance at the piano, connecting rajas, sattva and tamas; circular movement, cohesion and disintegration. I've been fortunate to know masters of improvised ...
