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6

Article: Album Review

Schick, Håker Flaten, Steidle: The Cliffhanger Session

Read "The Cliffhanger Session" reviewed by Mark Corroto


For listeners who enjoy when an artist or group zig when we expect them to zag, I give you The Cliffhanger Session. The abrupt change of direction for Ignaz Schick, Ingebrigt Håker Flaten and Oliver Steidle is the switch from electro-acoustic energy noise to an all-acoustic performance. The German-born musicians, Schick and Steidle, created ILOG, an ...

27

Article: Multiple Reviews

Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl

Read "Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl" reviewed by Joshua Weiner


Blue Note. Verve. Impulse! ESP-Disk. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. By the close of the 1960s, jazz was undergoing a period of intense change, with an unprecedented mixing and matching of styles and influences--both musical and political--that ...

14

Article: Album Review

Marion Brown: Three For Shepp To Gesprachsfetzen Revisited

Read "Three For Shepp To Gesprachsfetzen Revisited" reviewed by Mark Corroto


It's not too late to catch up with alto saxophonist and composer Marion Brown. Thanks to this excellent reissue and remaster series, you can hear the innovative recordings from this master musician. This release follows his 1965/66 discs Capricorn Moon To Juba Lee Revisited (ezz-thetics, 2019) and 1966/67 discs Why Not? Porto Novo! Revisited (ezz-thetics, 2020). ...

5

Article: Album Review

Ghost Trees: Intercept Method

Read "Intercept Method" reviewed by Mark Corroto


John Coltrane and Rashied Ali might not have been the first to record as a free jazz duo with Interstellar Space (Impulse!,1974), but the pair did set the bar for future performances from the likes of Frank Lowe and Rashied Ali, Peter Brötzmann/Peeter Uuskyla, Anthony Braxton/Max Roach, and Joe McPhee/Hamid Drake. Admittedly, this genre of music ...

5

Article: Album Review

Louie Belogenis: Outer, Inner, Secret

Read "Outer, Inner, Secret" reviewed by Mark Corroto


Let's not call the music by the trio Terton dangerous. Because, although no one could be injured while creating it or listening to Outer, Inner, Secret, the path is precarious and unpredictable. Well, that is, if one is not a true believer. Let me explain. Terton in Buddhism refers to a person, in this case, persons, ...


About Louie Belogenis

Results for pages tagged "Rashied Ali"...

Musician

Louie Belogenis

Born:

Louie Belogenis is a self-taught musician who came of age during the heady days of the old East Village, when the remnants of a New York City avant-garde were still alive. Influenced by Buddhism, poetry, film, music, dance, and theater (he was a member of Richard Foreman’s Ontological-Hysteric Theatre for four years), Louie felt like a bohemian Alice in an esoteric Wonderland.

At this time he became friends with John Zorn, who selected Louie’s first saxophone from We Buy on Third Avenue and 11th Street. Encouraged by Zorn and musicians like Bill and Wayne Horvitz, Phillip Johnston and Joel Forrester, he entered the proverbial woodshed,  occasionally emerging to perform in public. It was during a gig with William Hooker’s ensemble that Rashied Ali heard Louie play, and invited him to visit his studio, the site of the former club Ali’s Alley. That fortuitous meeting led to the band Prima Materia, and many recordings and tours throughout the mid- and late 90’s. The relationship with Rashied continued up to the master’s untimely passing in 2009, with Louie visiting – sometimes on a weekly basis – to play and listen to stories from ‘back in the day.’

7

Article: Album Review

Francisco Mela & Zoh Amba: Causa y Efecto, Vol. 2

Read "Causa y Efecto, Vol. 2" reviewed by Mike Jurkovic


Causa y Efecto, Vol. 2 avalanches into a tidal surge of Francisco Mela's terrestrial rhythms and saxophonist/flautist Zoh Amba's unhinged, Albert Ayler like howls. Explosive from the onset and unencumbered by composition, “Causa y Efecto" roils without contrition; setting the stage for the firestorm to come. Mela's incantations--both verbal and percussive--open the magic door through ...

13

Article: Album Review

Alma Tree: Sonic Alchemy Suprema

Read "Sonic Alchemy Suprema" reviewed by Karl Ackermann


New York native Ra Kalam Bob Moses grew up in the same building as Max Roach, Art Blakey and Elvin Jones. Early on he saw performances by many of the best jazz drummers in history, including Roy Haynes, Rashied Ali, Milford Graves, Billy Higgins, and Ed Blackwell. As a teenager in the mid-1960s, he played with ...

13

Article: Album Review

Alan Shorter: Mephistopholes To Orgasm Revisited

Read "Mephistopholes To Orgasm Revisited" reviewed by Chris May


It is often said of a musician, be they alive or no longer with us, that they deserve to be better known. This is emphatically true of the wayward trumpeter and composer Alan Shorter, who was overshadowed during his lifetime by his brother, Wayne Shorter, and who continues to be passed over today in 2024.

Article: History of Jazz

James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz

Read "James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz" reviewed by Angelo Leonardi


Da circa un decennio il jazz statunitense e britannico vede l'emergere di giovani protagonisti che spezzano i confini tra i generi “colti" e popolari, operando una sintesi sfaccettata tra le molte espressioni della black music. Un torrente tumultuoso che viene alimentato dalle spinte politico-identitarie della comunità afroamericana (la rinascita dell'Afrofuturismo, il movimento Black Lives Matter), che ...


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