Results for "Profile"
Barb Jungr and the Benefits of an Open Mind
by Mathew Bahl
Music fans can generally be divided into two camps: Those who see music as a world of ever-expanding possibilities and those who see music as a small island where the only good things are the familiar things. The irony, of course, is that jazz is a music created by people in the first category but supported ...
The Continuing Evolution of Kurt Elling
by Mathew Bahl
"I feel like at this point in my career I don't have to prove that I can do fifteen different things to greater or lesser degrees of expertise." Kurt Elling is discussing the genesis of his latest record, Flirting With Twilight. “I've made these roller coaster rides every time," says the Chicago-based jazz singer ...
Paula West and the Art of Making Art
by Mathew Bahl
Jazz singing is like a horse race. To the casual eye, all the horses in the stall look the same. But they aren't. Some have more talent. Some are better trained. Some have better jockeys. Some are more exciting to watch. But no matter what we see or don't see, what the odds might be, or ...
Starting Over with Dee Dee Bridgewater
by Mathew Bahl
In jazz, as in life, the most interesting path between two points is rarely a straight line. Consider the acclaimed jazz vocalist Dee Dee Bridgewater For much of the 1990s, Bridgewater engaged in what was arguably the decade's most dynamic, comprehensive and witty exploration of the idea of the human voice as an instrument. Along the ...
Tierney Sutton: An Instrumentalist’s Singer
by Mathew Bahl
"Jazz demands something of you," says Tierney Sutton. The Los Angeles based singer is discussing the challenge of selling complicated, improvised music in a culture addicted to simple, pre-packaged formulas. “Being barraged in the media teaches people not to engage, not to seek great art, not to listen with their own ears, not to ...
The Jazz Education of Ian Shaw
by Mathew Bahl
A few notable exceptions aside, great jazz musicians are not born; they are created. Most young musicians start by absorbing the work of important influences and then, through practice and live performance, decide what to keep, what to modify and what to discard. Ultimately, originality is less a byproduct of inspiration and more the end result ...
Dena DeRose: No More Detours Ahead
by Mathew Bahl
A pianist by instinct, a jazz musician by choice and a singer by accident, Dena DeRose has emerged as one of the most captivating and distinctive new voices in mainstream jazz. Anyone who has not heard her music should not be misled by her status as a singer/pianist specializing in the Great American Songbook. DeRose is ...
Carol Sloane: Setting New Standards
by Mathew Bahl
In her concert appearances, Carol Sloane often sings a lovely ballad called “An Older Man is Like an Elegant Wine." Listening to Ms. Sloane extol the virtues of age and experience in a voice as soft and warm as angora wool, it is hard not to conclude that the sentiments of the lyric have an even ...
Why René Marie Can't Keep from Singing
by Mathew Bahl
"I don't like being bored while I'm singing," laughs René Marie. The Virginia-based vocalist and MAXJAZZ recording artist is explaining why she sings jazz. “You don't know what somebody's going to say, musically, or what somebody's going to do. If you go to a rock concert or pop, they want to hear the ...
Dorothy Ashby: With Strings Attached, 1957-1965
by Angelo Leonardi
Questo lussuoso cofanetto di sei LP in edizione limitata dedicato all'arpista Dorothy Ashby è un importante contributo che colma l'attuale vuoto di registrazioni e rende giustizia a un'artista tanto importante quanto dimenticata. Non troverete il suo nome sulle massime storie ed enciclopedie del jazz, e la sua morte prematura dell'aprile 1986 (aveva 55 anni) fu data ...
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