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Mose Allison: Mose Allison Sings
by Jim Santella
There's nobody else quite like Mose Allison. Try to think of a musician who even comes close. He's so unique that we all know from the very start who we're listening to. And nobody else can fill that niche. But Allison didn't start out as a singer. He was Stan Getz's pianist in 1956-57, and he ...
John Coltrane: Fearless Leader
by Norman Weinstein
John Coltrane Fearless Leader Prestige 2006 This six-CD set of all of the original Prestige albums led by John Coltrane comes as a relief after the previous sixteen-disc box of every one of his preserved recordings on the label, as leader or sideman. Putting aside the daunting cost of that ...
Stitt's Bits: The Bebop Recordings, 1949-1952
by Jim Santella
Sonny Stitt Stitt's Bits: The Bebop Recordings, 1949-1952 Prestige 2006 Presented in chronological order, saxophonist Sonny Stitt's Prestige recordings, packaged here as a three-CD box set, reveal the pure tenor tone and fluid technique that Stitt always brought to a session. Most of the selections are from 1950, ...
Mose Allison: Mose Allison Sings
by Victor Verney
At first glance, Mose Allison Sings might seem to be just another reissued jazz recording from the 1950s. Like most CDs of this ilk, it has been digitally remastered and has additional “bonus" tracks now possible without the space limitations of vinyl records. A cynic might use the term “old wine in new bottles" to characterize ...
Oliver Nelson: Screamin' The Blues
by Chris May
A gutsy, down-home, blues-drenched saxophonist who could make flames burst out of the bell of his horn, Oliver Nelson is probably best remembered for his back-room chores on other musicians' records. He arranged Jimmy Smith's biggest chart hit, “Walk On The Wild Side," and an even bigger one for Louis Armstrong, “What A Wonderful World." He ...
Stitt's Bits: The Bebop Recordings, 1949-1952
by Jeff Dayton-Johnson
Sonny StittStitt's Bits: The Bebop Recordings, 1949-1952Prestige2006 There are two stories detractors tell about saxophonist Sonny Stitt (1924-82). Actually, his detractors tell many stories, but these two are chiefly musical. The first says that Stitt's musical inventiveness amounted to no more than being a reasonably good Charlie ...
Yusef Lateef: Eastern Sounds
by Jeff Dayton-Johnson
Eastern Sounds, newly remastered by Rudy van Gelder (the storied engineer who recorded the original September 1961 session), marks an early stage in Yusef Lateef's development. In particular, the record highlights two characteristics that would come to define his artistic identity: a spiritual streak and a fascination with non-Western music. Like John Coltrane (whose path resembles ...
Miles Davis: The Legendary Prestige Quintet Sessions
by Doug Collette
The Miles Davis Quintet The Legendary Prestige Quintet Sessions Prestige Records 2006 (1955-56) Adorned by a painting rendered by the man with the horn himself, the elegant understatement of the packaging of The Legendary Prestige Quintet Sessions is wholly in line with the music it contains. ...
Oliver Nelson: Screamin' The Blues
by Ronald S. Russ
There were many saxophonists on the scene in 1960 who would influence jazz for the next forty years. While saxophonist/composer/arranger Oliver Nelson might not be the best known of the musicians of that era, he blew alongside some of the greats. He is probably best known for his compositions and arrangements ("Stolen Moments," “Miss Fine" and ...
Miles Davis: The Legendary Prestige Quintet Sessions
by John Kelman
Much has been written about how, by 1955, trumpeter Miles Davis—already fast becoming legendary at the age of 29—had cleaned up his act, kicking his heroin habit cold turkey. Much has also been written about how his solo on Thelonious Monk's “'Round Midnight," with an all-star band at the Newport Jazz Festival, became the stuff of ...
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