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Remembering Albert 'Tootie' heath
by Ian Patterson
Drumming great Albert 'Tootie' Heath played with a who's who of jazz greats, from John Coltrane and Sonny Rollins to Wes Montgomery and Nina Simone. He recorded all too infrequently as a leader, probably because he was so in demand for other people's projects. This clip from the 2014 Chicago Jazz Festival finds Heath in the ...
Yotam Silberstein: Never Let Me Go
by John Chacona
In his heyday, tenor saxophonist George Coleman bulled through the changes with the single-minded muscularity of heavyweight boxer Joe Frazier bearing down on an opponent. When Big George was on, the changes didn't stand a chance. He's slowed down a bit, but like many distinguished predecessors, what Coleman has lost--or abandoned--at racehorse tempos is more than ...
Stefano Di Battista: La Vita è Bella
by Scott Lichtman
"La vita è bella" ("life is beautiful" in Italian) is one tune whose title truly captures its essence. Alto saxophonist Stefano Di Battista leads his quintet through this peppy, hummable bebop piece, a remake of the movie theme of the same name. As the drummer's brushwork flies by at 160bpm, Di Battista and trumpeter Matteo Cutello ...
Rudder: Lucky Beard
by Mike Jacobs
It's hard to figure how a band populated by esteemed players such as Henry Hey (keys), Tim LeFebvre (bass), Chris Cheek (sax) and Keith Carlock (drums) could remain so firmly off so many people's radar. While Rudder's penchant for staying off the beaten stylistic path may have something to do with this, it also makes them ...
Chris Potter Underground: Open Minds
by Mike Jacobs
This under-an-hour doc from 2009 is not only a satisfying snapshot of one of Chris Potter's most durable and exciting lineups but is also an insightful piece on band dynamics, material development and performance ethos in jazz. Filmed largely in the legendary (and now-defunct) 55 Bar, it also cannot help but deliver accompanying bittersweet pangs for ...
Gleb Kolyadin: Voyager
by Geno Thackara
Not content to merely master the tricky art of the piano, Gleb Kolyadin manages the even trickier art of crossing prog and classical without relying on volume or bombast. Even if his brand of fusion has plenty of electricity and a share of sweeping drama, somehow this degree of brain-twisting complexity never feels pompous or overblown. ...
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