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Kenny Barron: So Many Lovely Things: Live in Brecon
by Pierre Giroux
Kenny Barron has always had the rare ability to make sophistication feel conversational. Even at his most technically dazzling, there is an intimacy in the way he shapes a phrase. That quality permeates So Many Lovely Things: Live At Brecon, a previously unissued 1995 concert recording from Wales featuring Barron with bassist Ray Drummond and drummer ...
Jaana Narsipur: The Re-Collection
by Pierre Giroux
There are few things more revealing than the songs we hold close from our formative years. Jaana Narsipur on The Re- Collection opens her musical scrapbook of Brit-pop and adult contemporary staples, reimagining them as living, breathing jazz narratives. The result is an album that feels deeply personal without tipping into self-indulgence. Pianist and music director ...
Carlos Henrique Pereira: Northern Readings
by Pierre Giroux
Brazilian composer, pianist, and guitarist Carlos Henrique Pereira's release Northern Readings is a quietly remarkable recording that unfolds less like a collection of tracks than a carefully stitched memoir in sound. Grounded in the heritage of Brazil's Minas Gerais State, the album brings together a complementary blend of traditions, with the patience and honesty Pereira shows ...
Carlos Henriquez: Monk Con Clave
by Pierre Giroux
Carlos Henriquez has long understood that rhythm tells stories long before words arrive. On Monk Con Clave, he takes Thelonious Monk's angular brilliance and brings it back to the streets, dance halls, and other crowded spaces across New York's Afro-Caribbean neighbourhoods. The result is not merely a tribute album but a living dialogue between Monk's genius ...
Ben Wolfe: Any Time After Now
by Pierre Giroux
In this recording by bassist, composer and bandleader Ben Wolfe, titled Any Time After Now, there is a quiet assurance, with nothing straining for effect or feeling manufactured. Recorded in a single studio day alongside vibraphonist Joel Ross, pianist Sullivan Fortner, tenor saxophonist Chris Lewis and drummer Aaron Kimmel, the album spans ten tracks of original ...
Angela Verbrugge with Ray Gallon: In The Wonder of the Night
by Pierre Giroux
Canadian jazz vocalist and songwriter Angela Verbrugge understands something that too many contemporary singers miss. Intimacy in jazz is not about shrinking the music but about drawing the audience in. On In The Wonder of the Night, her duet recording with acclaimed New York pianist Ray Gallon she works within the voice-and-piano format with uncommon confidence, ...
David Janeway: David Janeway Trio/Live At Blue Llama
by Pierre Giroux
Live at Blue LLama by the David Janeway Trio was recorded in June 2024 at the Blue LLama Jazz Club in Ann Arbor, Michigan, and it is the kind of album that is unforced, deeply conversational, and grounded in a shared musical trust. Pianist Janeway has long valued rhythmic authority and melodic clarity over display and ...
Faye Carrol: Forever Dynamic
by Pierre Giroux
Faye Carol has never been a singer who tiptoes into a song. On Forever Dynamic, she strides straight into the centre of each tune, claims it, and leaves her fingerprints all over it. Twenty tracks across 2 CDs might seem like a lot on paper, but in Carol's hands, it plays like one long set, with ...
Warren Wolf: Smoove Vibes
by Pierre Giroux
There is something quietly disarming about Smoove Vibes. It is the kind of album that does not shout its ambitions but simply settles into the room with you. Warren Wolf working from his basement, handles an impressive range of musical duties, including vibraphone, marimba, drums, keyboards, vocals, and sampled elements that shape the music from its ...
Yusef Lateef: Alight Upon the Lake: Live at the Jazz Showcase
by Pierre Giroux
Some nights vanish into the ether, while others wait, patiently, until the world is ready to hear them. Such is the case with Alight Upon the Lake: Live at the Jazz Showcase. Resonance Records has released this adventurous 1975 recording as a limited-edition 180-gram 3-LP set and a 3-CD release, which feels less like an archival ...
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