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Big Ears Festival 2022
by Mark Sullivan
Big Ears Festival Knoxville, TN March 24-27, 2022 The Big Ears Festival found ways to continue virtually during the pandemic—most notably by sponsoring the Norwegian Digital Jazz Festival—but there is no substitute for the big glorious eclectic event that is the in-person festival. Past festivals have usually opened with a big kickoff ...
Ghost Rhythms: Spectral Music
by Mark Sullivan
After the self-produced Imaginary Mountains (2020) French experimental collective Ghost Rhythms returns to Cuneiform Records with a sequel to Live At Yoshiwara (Cuneiform Records, 2019). With roughly ten pieces, it is a band with a wide range of tonal colors; the band's leaders, drummer Xavier Gélard and keyboardist Camille Petit, have resumed their compositional role (with ...
From An Island: Ches Smith & We All Break and Dominican Jazz Project
by Mark Sullivan
Haiti and the Dominican Republic both occupy the island of Hispaniola in the Caribbean. But the two nations could hardly be more different. Haiti is the poorest nation in the Western hemisphere; the Dominican Republic has the largest economy in the Caribbean and Central America. Haiti was occupied by France in colonial times, famously winning its ...
Moers Festival 2021
by Martin Longley
Moers Festival Eventhalle/Rodelberg Moers, Germany May 21-24 2021 Just a few days before the start of this 50th anniversary festival, the local governmental authorities suddenly switched their virus regulations, allowing a crowd of 500 to attend each evening's outdoor park gig on the Rodelberg stage. During the daytimes, ...
Stephan Thelen: World Dialogue
by Mario Calvitti
Il chitarrista Stephan Thelen, californiano trapiantato in Svizzera dove risiede e lavora, è uno dei musicisti più interessanti tra quelli che nel corso del nuovo millennio si sono adoperati per rinnovare il linguaggio della chitarra, cercando nuove forme e tecniche espressive per esplorare le illimitate possibilità dello strumento. La sua discografia annovera diversi album da solista ...
Derek Brown: All Figured Out
by Jerome Wilson
Tenor player Derek Brown has made a name for himself with a concept called “BEATBoX SAX," a method of playing saxophone in a continuous stream of pops, honks, melody and slap-tonguing that comes out like a hip-hop variation on Boots Randolph's old novelty tune. “Yakety Sax." He has put several videos on YouTube of him doing ...
Meroli: Notturni
by Chris May
Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...
Joost Lijbaart: Free Conversations With Myself
by Ian Patterson
For an artist, making any album is something of a journey—the birthing of ideas, the moulding and sculpting of concepts, the creative trial and error, the emotional highs and lows, and in the end, the satisfaction of a work completed. Dutch drummer/percussionist and composer Joost Lijbaart has travelled that road many times in a thirty-year career, ...
Joost Lijbaart: Free
by Ian Patterson
As a student in the 1980s, Dutch drummer-percussionist Joost Lijbaart first dreamt of making a solo album, inspired by the examples of Tony Oxley, Pierre Favre, Art Blakey, Max Roach and Jack DeJohnette. A successful recording and touring career with Yuri Honing—and with his own groups—left little time for such a focused project. In 2014, Lijbaart ...
Budapest Music Center: A cultural confluence at the heart of Hungary
by Friedrich Kunzmann
The Budapest Music Center, known by its acronym BMC, was founded in 1996 by Hungarian trombone player, music educator and entrepreneur László Gőz. Upon initial conception, the institution's main goal was to create a musical network to help Hungarian musicians and other interested parties to gain an overview of the country's musical happenings, past and present, ...
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