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281

Article: Album Review

Okkyung Lee & Phil Minton: Anicca

Read "Anicca" reviewed by John Eyles


Following previous Dancing Wayang releases from the duo of John Edwards and Chris Corsano, and a solo release from Mats Gustaffson (with another from Peter Evans in preparation), the label continues its successful series of freely improvised music with this first recorded meeting of vocalist Phil Minton and cellist Okkyung Lee, recorded at Eastcote Studios in ...

129

Article: Album Review

Mike Westbrook Orchestra: The Cortege

Read "The Cortege" reviewed by Chris May


At its richest, pianist/composer Mike Westbrook's work is to jazz what grand opera, in the classical world, is to chamber music. The Cortege is Westbrook at his richest, leading a 17-piece orchestra through an ambitious and brilliantly realized suite, loosely themed around the idea of a funeral procession and its after-party. Thirty years after its first ...

127

News: Recording

Phil Minton - No Doughnuts in Hand (Emanem)

Phil Minton - No Doughnuts in Hand (Emanem)

Phil Minton's music practically mandates first person response. Burying the “I" in a review is a hard thing to do from the onset. Reaction to his work is frequently polemical with one person's vocal abuses occupying the same aural space as another's expansions. Minton doesn't appear to be especially bothered either way by potential controversy. His ...

371

Article: Multiple Reviews

Thomas Lehn: Backchats and Somethingtobesaid

Read "Thomas Lehn: Backchats and Somethingtobesaid" reviewed by Clifford Allen


Speak Easy Backchats Creative Sources 2009 John Butcher Somethingtobesaid Weight of Wax 2009 Electronic instruments have been part of improvised music for over 40 years and the availability of digital ...

369

Article: Album Review

Ned Rothenberg / Catherine Jauniaux / Barre Phillips: While You Were Out

Read "While You Were Out" reviewed by Kurt Gottschalk


Belgian vocalist Catherine Jauniaux is one the most underappreciated of a generation of free improv vocalists. Less a storyteller than Shelley Hirsch, more overtly musical than Phil Minton or Jaap Blonk, she falls somewhere between their spontaneous explorations and the avant art songs of Joan La Barbara. She has released only a handful of records with ...

Album

Midhopestones

Label: Another Timbre
Released: 2009
Track listing: Strines; Crow Edge; Wharncliffe Side; Deepcar.

947

Article: Interview

Ian Shaw: From Free Jazz to Noel Coward

Read "Ian Shaw: From Free Jazz to Noel Coward" reviewed by Bruce Lindsay


Ian Shaw is a jazz singer. This simple description is accurate--it's how Shaw refers to himself--but it falls well short of doing the man justice. Ian Shaw is one of the most distinctive, original and creative jazz singers on the scene: he is a talented pianist and songwriter with a knack for working with top-quality musicians, ...

1,555

Article: Interview

Bill Dixon: In Medias Res

Read "Bill Dixon: In Medias Res" reviewed by Clifford Allen


Trumpeter and composer Bill Dixon is one of those rare figures in creative music who was both there as it took its initial steps and currently remains at the forefront of contemporary improvisation. In the last two years, he has directed or co-led orchestral configurations and recorded and performed with hand-picked small groups of international renown. ...

301

Article: Album Review

Rhodri Davies / Michel Doneda / Louisa Martin / Phil Minton / Lee Patterson: Midhopestones

Read "Midhopestones" reviewed by John Eyles


This album was recorded in January 2009 in the church of St. James the Lesser, in the village of Midhopestones near Sheffield, South Yorkshire--hence, its intriguingly uplifting title (incidentally, its track titles refer to other villages or features nearby). Maybe that recording location explains the sense of tranquility and beauty that pervades the music here. It ...

208

Article: Album Review

Boris Savoldelli / Elliott Sharp: Protoplasmic

Read "Protoplasmic" reviewed by Nic Jones


Boris Savoldelli doesn't even occupy the same rarefied territory as Phil Minton when it comes to free vocalizing. Instead, he carves out his own niche through his use of various electronic manipulations. However, it's guitarist Elliott Sharp's input that makes all the difference on Protoplasmic. “Prelude To Biocosmo Pt. One" could almost be a comment on ...


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