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Greg Burk: Many Worlds
by Troy Collins
A startlingly original improviser, rising pianist Greg Burk straddles a confluence of traditions, seamlessly balancing the spontaneity of free jazz with the discipline of mainstream conventions. A former Either/Orchestra member and student of Paul Bley, Yusef Lateef, George Russell and Archie Shepp, Burk possesses an uncanny gift for melody that surpasses many of his peers. On ...
Signs Along The Road
by Jakob Baekgaard
Signs Along The Road Henry Grimes Soft cover; 128 pages ISBN: 978-3-00-020142-4 Buddy's Knife 2007 Bassist Henry Grimes was one of the leading lights on the free jazz scene in the 1960s, playing with many of the music's most famous names, including pianist Cecil ...
Buenos Aires Jazz Festival 2009: Orchestra National de Jazz is Fantãstico
by R.J. DeLuke
Second Buenos Aires International Jazz Festival '09, Part 2December 3-8, 2009 Buenos Aires International Jazz Festival '09 holds up its “international" status with outstanding groups from most all South American countries, as well as the United States, France and Spain. It's hard to imagine it could have done better in dealing with French cultural officials ...
Marion Brown: Why Not?
by Clifford Allen
Marion Brown Why Not? ESP-Disk 2009 (1966) While the term “fire music" has held sway as a descriptor of the music of post-John Coltrane/Albert Ayler saxophonists from the 1960s onward, it's long been an incomplete summation of the work of most of these musicians. Alto saxophonist Marion Brown ...
Foot Job Band and Tongs: between porno, rock and a jazz place
by Mark Corroto
Back in 1980s and early 1990s in New York, musicians were reinventing jazz and the “downtown scene," as it was called, was focused on the The Knitting Factory club. Artists like saxophonists John Zorn, John Lurie and Thomas Chapin, guitarist Marc Ribot and cellist Tom Cora became famous. While they were schooled in the traditional, their ...
Disassembler: What Is
by Chris May
It's a broad church, but British guitarist Trevor Warren's Disassembler comes out of the same genre mashing movement as bands like Acoustic Ladyland, Polar Bear, Led Bib and trioVD. Each has crafted an individual spin on jazz/rock/dance collision, from Acoustic Ladyland's seminal three-minute punk thrashes, extended by Led Bib and trioVD to include more collective and ...
Charnett Moffett: Improvisational Artistry
by R.J. DeLuke
"I enjoy all of the music, just as I enjoy different aspects of color in paintings, or different people, or different types of food, or things of that nature. For me, it seems to be a more interesting way of life to have an appreciation for all that is offered on the planet."
Ravi Coltrane with the Geri Allen Trio at The Iridium, NYC
by Ralph A. Miriello
Ravi Coltrane with the Geri Allen Trio The Iridium New York, NY November 21, 2009The Iridium is a major jazz club in the midtown section of New York City. As you approach the club, you can't help but be overwhelmed by the bombardment of intense streaming lights--like a ...
Verve Originals: Gato Barbieri / Paul Desmond / Gerry Mulligan / Wes Montgomery
by Chris May
Verve's admirable, no frills, reissue series, “Originals," includes a mixture of masterpieces and also-rans from its own and its associated labels' archives. This trio of albums from the September 2009 batch includes one near masterpiece, saxophonist Gato Barbieri's Chapter Three: Viva Emiliano Zapata; an outstanding blowing session, saxophonists Gerry Mulligan and Paul Desmond's Blues In Time; ...
Christian McBride: Getting the Inside Straight
by Esther Berlanga-Ryan
If we think about it for a little while, it's possible to believe that there is something almost mystic and undeniably powerful about jazz. The way it developed through the years and its constant ignition-like energy; the creativity of those who lead the way and those who continue the journey today; the improvisation that takes over ...
