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Brian Carpenter’s Ghost Train Orchestra: Book Of Rhapsodies
by Mark Corroto
If you were to identify the music from Book Of Rhapsodies as cartoon music and asked to name specifically which cartoons, it might be easy to guess your age. The baby-boom generations would call bandleader Brian Carpenter's music the soundtrack to Bugs Bunny and Yosemite Sam and might guess Carl Stalling. X-Generation would identify the soundtrack ...
Rob Mosher: Polebridge
by Mark Corroto
Soundtrack music can complement a piece of cinema by adding suspense, describe the onscreen action or, in the case of a silent movie, provide the sounds of pratfalls and doorbells. The first spin of Rob Mosher's Polebridge could easily recall the soundtrack to a Buster Keaton silent film. The liner notes explain that the music is ...
Petr Cancura: Down Home
by Mark Corroto
Once jazz migrated from New Orleans and the Deep South to Chicago and New York, a favorite put-down for those making music that wasn't urban, cool or modern was to call the musicians “country." It was as if all things of jazz consequence outside of urban centers was required to be imported from said cities.
Rakalam Bob Moses: Father's Day B'hash
by Lyn Horton
Accepting the offer of a fellow instructor at the New England Conservatory for free studio time, drummer Rakalam Bob Moses assembled a band of evolving musicians and longtime collaborator Stan Strickland (tenor saxophonist and clarinetist), to record, on June 16, 2006, Father's Day B'Hash. Moses proposed ideas for saxophonists Strickland, Ommudra Thomas Arabia, Nick Videen, Luis ...
Joe Morris: Today on Earth; Colorfield; The Necessary and the Possible; Fine Objects
by Wilbur MacKenzie
Joe MorrisToday on EarthAUM Fidelity2009 Joe MorrisColorfieldESP-Disk2009 Joe Morris/Simon H. Fell/Alex WardThe Necessary and the PossibleRecord Label #3Year Joe MorrisFine Objects
Joe Morris: Fine Objects
by Mark Corroto
Guitarist Joe Morris continues his 2002 experimentation with the double-bass. On Fine Objects, he leads a trio of saxophone, bass, and drums through two of his own compositions, a couple of trio improvisations, and other compositions by Ornette Coleman, Eric Dolphy, Larry Clinton and Petr Cancura. Morris chose two former students from the New ...
Joe Morris: Wildlife
by Wilbur MacKenzie
Joe Morris has made a career of directing creative energy towards new experiences and a fascinating development has been the incorporation of new instruments to his vocabulary. Morris distinguished himself as a guitarist in 1994 with the release of Symbolic Gesture. Many duo, trio and ensemble records followed but Morris was not content simply to refine ...
Joe Morris / Petr Cancura / Luther Gray: Wildlife
by Troy Collins
Widely revered in avant-garde music circles for his innovative approach to the electric guitar, Joe Morris' decision to take up the contrabass in 2002 was initially met with apprehension from certain corners of the new music community. Fears that the singular guitarist might disavow his primary axe have been dispelled, replaced by a burgeoning parallel discography ...
Matt Newton: PUSH
by Jerry D'Souza
Toronto, Canada-based pianist Matt Newton comes up with a convincing performance on his debut, PUSH. Born in Ottawa, Newton started on classical music before he moved to jazz. After his education, he began playing gigs at clubs and at the jazz festivals in Toronto and in Ottawa, appearing as a sideman on two CDs. With that ...
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