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Album

More Nipples

Label: Atavistic Records
Released: 2003
Track listing: More Nipples (17:18)*/ Fiddle Faddle (13:14)/ Fat Man Walks (9:21).

Album

Never Too Late But Always Too Early

Label: Eremite Records
Released: 2003
Track listing: Disc One: Never Run But Go: 1 (19:19)/ 2 (4:47)/ 3 (9:31)/ 4 (9:51)/ The Heart and the Bones (18:26). Disc Two: Never Too Late But Always Too Early: 1 (16:51)/ 2 (11:02)/ 3 (17:22)/ Halfhearted Beast (7:44).

118

Article: Album Review

Peter Br: FMP130

Read "FMP130" reviewed by AAJ Staff


Until last year you would be hard pressed to get your hands on any historic recording by this European free improv trio. Peter Brötzmann, Han Bennink, and Fred Van Hove originally appeared on the German FMP label in 1970 with Balls, finally reissued last year by Atavistic's Unheard Music Series. They picked up Albert Mangelsdorff for ...

551

Article: Interview

Peter Brotzmann

Read "Peter Brotzmann" reviewed by Clifford Allen


Peter Brotzmann has exemplified European improvised music for over 40 years and particpated in countless international collaborations. Br'tzmann's career began in art, experience he would take into his music and record label FMP. His playing, brash and aggressive, continues to destroy speakers worldwide. He recently sat down with Masters Degree candidate in Art History Clifford Allen ...

366

Article: Album Review

Peter Br: FMP 130

Read "FMP 130" reviewed by Jay Collins


Without a doubt, the cooperative consisting of saxophonist Peter Brötzmann, pianist Fred Van Hove and drummer Han Bennink is one of the most celebrated, if not the most influential, free improv trios in Europe. Recorded for FMP three years after the group's astonishing and portentous 1970 debut, Balls, this accurately titled record, known as FMP 130, ...

241

Article: Album Review

Peter Br: More Nipples

Read "More Nipples" reviewed by Jerry D'Souza


For all those who have played Nipples and enjoyed doing so, the fact that there are More Nipples should come as joy exemplified. Saxophonist Peter Brötzmann thought that the three tunes from 1969 which make up this record were discarded, but they were discovered last year by FMP founder Jost Gebers. Glory be to that moment, ...

212

Article: Album Review

Peter Br: The Ink is Gone

Read "The Ink is Gone" reviewed by Clifford Allen


In jazz, surprise meetings often produce some of the greatest results. On paper, the duo of Anthony Braxton and Max Roach might look a little strange, ditto the two-tenor front line of Archie Shepp and Hank Mobley. When successful, these meetings can be, like the old cliché, peanut butter and jelly. Thankfully, the crusts remain on ...

230

Article: Album Review

Peter Br: Balls

Read "Balls" reviewed by Jay Collins


Following on the heels of European Echoes, Balls was the second release by the German FMP label; it remains one of the great documents of Peter Brötzmann's core late-sixties/early-seventies trio with pianist Fred Van Hove and drummer Han Bennink. At the time of the recording, the trio had been playing together for some time, including forming ...

934

Article: Interview

Peter Brotzmann

Read "Peter Brotzmann" reviewed by AAJ Staff


By Clifford Allen Peter Brotzmann has exemplified European improvised music for over 40 years and particpated in countless international collaborations. Br'tzmann's career began in art, experience he would take into his music and record label FMP. His playing, brash and aggressive, continues to destroy speakers worldwide. He recently sat down with Masters Degree ...

279

Article: Album Review

Br: Never Too Late But Always Too Early

Read "Never Too Late But Always Too Early" reviewed by Derek Taylor


Die Like a Dog: a name and invective that acts as a slap in the face to the mores of subtlety and passivity. Peter Brötzmann originally convened the group as a channeling vessel for the spirit of Ayler. Their music: lamenting the legendary saxophonist?s tailspin into spiritual decay and destitution. Their credo: a staunch defiance of ...


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