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290

Article: Album Review

Donat Fisch / Christian Wolfarth: Circle & Line 2

Read "Circle & Line 2" reviewed by Karl Ackermann


Drummer Christian Wolfarth and saxophonist Donat Fisch first recorded in this formation more than ten years ago. Circle & Line 2 is the Swiss duo's reunion and an unique free jazz achievement. Saxophone and drum duos rarely become an artist's defining work. It is a difficult format, requiring extraordinary creative effort to maintain variety and interest. ...

432

Article: Album Review

Paal / Michiyo / Broe: Volda

Read "Volda" reviewed by Eyal Hareuveni


The sophomore release of the trio featuring German reed legend Peter Brötzmann, Japanese koto iconoclast Michiyo Yagi and Norwegian master drummer Paal Nilssen-Love--following Head On (Idiolect, 2008)--is a remarkable demonstration of how energy and power transform into spiritual catharsis. It's easy to understand why this trio was named the Spirit & Power Trio during its Japanese ...

792

Article: Live Review

Peter Brotzmann Trio at Cafe Oto, London

Read "Peter Brotzmann Trio at Cafe Oto, London" reviewed by John Sharpe


Peter Brotzmann, John Edwards, Steve Noble Cafe Oto London January 30, 2010 As the crowd gathered outside north London's Cafe Oto waiting for the doors to open, a solitary figure stood spotlit under a streetlamp just up the road. German saxophone iconoclast Peter Brotzmann was savoring a moment of ...

435

Article: Multiple Reviews

Joe McPhee: Live in Vilnius & The Damage is Done

Read "Joe McPhee: Live in Vilnius & The Damage is Done" reviewed by Marc Medwin


Trio XLive in VilniusNo Business2009 Joe McPhee / Peter Brotzmann / Kent Kessler / Michael ZerangThe Damage is DoneNot Two2009 Though conjuring quite different and sometimes problematic soundworlds, these Joe ...

429

Article: Album Review

Peter Brotzmann: Lost & Found

Read "Lost & Found" reviewed by Mark Corroto


Lost & Found finds iconic free jazz reedman Peter Brötzmann recording both solo and live for the first time ever. Throughout the 50-plus years of music-making, his live recordings are probably the best at capturing the essence of this great man's passion; and further, hearing him without accompaniment is a direct line into his thoughts.

437

Article: Album Review

Peter Brötzmann: A Night In Sana'a

Read "A Night In Sana'a" reviewed by Mark Corroto


Reaching across cultures is nothing new for jazz artists, and certainly jazz (by definition) is the amalgamation of ethnic European, African, Afro-Cuban and American blues music. With this recording by free jazz patriarch Peter Brötzmann in Yemen, the junction is not only of different cultures but of different centuries. Record label chief Uli Armbruster ...

334

Article: Multiple Reviews

Alone, Again (Naturally): Peter Brotzmann, Olaf Rupp, Henry Kaiser, John Butcher, Woody Sullender and Frank Rosaly

Read "Alone, Again (Naturally): Peter Brotzmann, Olaf Rupp, Henry Kaiser, John Butcher, Woody Sullender and Frank Rosaly" reviewed by Clifford Allen


For this writer, solo playing and solo concerts have a special place. A few years before I began writing about jazz, and while living in New York at the beginning of the 2000s, I ran into the late violinist Leroy Jenkins in the East Village. I didn't know him personally, but he was instantly recognizable, and ...

640

Article: Live Review

Joe McPhee at Cafe Oto, London

Read "Joe McPhee at Cafe Oto, London" reviewed by John Sharpe


Joe McPhee Cafe Oto London, England December 11, 2009 When the eerie vocalized wail first manifested itself, the audience was left looking for the source. But it quickly became apparent that, even though his facial expression didn't betray the burden, saxophonist Joe McPhee was generating the noise at ...

518

Article: Album Review

Dave Rempis / Frank Rosaly: Cyrillic

Read "Cyrillic" reviewed by Troy Collins


Since 2004, the duo of saxophonist Dave Rempis and drummer Frank Rosaly has committed to exploring the textural, tonal and rhythmic possibilities of spontaneous improvisation, drawing upon a rich legacy of similar pairings for its studio debut, Cyrillic. Chicago scene regulars whose congenial rapport has been honed in The Rempis Percussion Quartet and The Ingebrigt Haker ...

Album

Peter Brotzmann: Die Like A Dog

Label:
Released: 2009


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