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Results for "Peter Brotzmann"
Mats Gustafsson/ Alfred Vogel: Blow + Beat
by Karl Ackermann
Swedish saxophone powerhouse Mats Gustafsson was playing with his trio--The Thing--at the 2016 Beazau Beatz Festival when he hooked up with the excellent, but under-recognized, Austrian drummer Alfred Vogel, who hosts the outing. The resulting Blow + Beat is an extraordinarily challenging musical experiment from two fearless advocates of free thought. The saxophone/drum duo is an ...
Jazzahead: A Look at Jazz In Germany
Looking forward but also remembering… Peter Brötzmann stands at the edge of the stage with his tenor sax hanging on its sling. He is holding the mouthpiece in his hand, trimming a reed, listening intently: drummer Oliver Steidle is letting rip, but his playing is also very structured. Close your eyes and this could be an ...
Dana Jessen: Carve
by Karl Ackermann
The bassoon rarely makes an appearance outside of the orchestral setting though it has found a place in jazz recordings dating back to Paul Whiteman and much later with Chick Corea. The instrument is considered one of the most difficult to play but its natural range and dynamics are far-reaching and versatile. Add in electronics and ...
DKV Trio / The Thing: Collider
by John Sharpe
Recorded live at Krakow Jazz Autumn in 2014, Collider unites two of the hardest hitting contemporary outfits in an off the wall summit. It's notable that all the members of the DKV Trio and The Thing, except bassist Ingebrigt Haker Flaten, have a history of working with the Peter Brötzmann Chicago Tentet, the large improvising collective ...
Steve Noble / Kristoffer Berre Alberts: Coldest Second Yesterday
by John Sharpe
Saxophone/drum duets tend to bring out the devil in people. Norwegian reedman Kristoffer Berre Alberts' approach might come as a surprise for those familiar with him only through his work with bands such as Snik and Cortex. Here he explores the edges to the exclusion of almost all else, with barely a conventional pitch among the ...
Albert Cirera: Before The Silence
by John Sharpe
On Before The Silence, four musicians from the Iberian Peninsula collectively birth one 53-minute improvisation, split into three tracks and a final short coda. Pianist Agusti Fernandez is likely the most recognizable name here, but the nominal leader reedman Albert Cirera has an enduring association with the pianist, first as a student, then appearing as part ...
Konstrukt: Molto Bene
by Mark Corroto
Many listeners still cannot fathom the concept of Turkish free jazz. Consider though, the origins of free jazz both in North American. The United States claims John Coltrane, Ornette Coleman, Sun Ra, Albert Ayler, and Cecil Taylor. But let us recognize that Europe produced Evan Parker (England), Bengt Nordström (Sweden), John Tchicai (Denmark), Peter Brötzmann (Germany), ...
Chicago / London Underground: A Night Walking Through Mirrors
by Karl Ackermann
As an artist and a surveyor of a broader universe, Rob Mazurek focuses on the journey rather than on planting a flag in undiscovered territories. Whether on his multi-instrumental solo work Mother Ode (Corbett vs Dempsey, 2014) or in the large ensemble formation of his most recent Exploding Star Orchestra project, Galactic Parables: Volume 1 (Cuneiform, ...
Peeter Uuskyla / Tellef Øgrim / Anders Berg: Ullr
by Mark Corroto
Thirty years ago, the trio Power Tools made a one-off recording Strange Meeting (Antilles New Directions, 1987). The long out-of-print LP by Bill Frisell, Melvin Gibbs, and Ronald Shannon Jackson is on many a collector's want list. While only a short-lived band, its memory persists. It was for many, a perfect storm of free-metal-jazz music. If ...
Mats Gustafsson & Craig Taborn: Ljubljana
by Mark Corroto
Congratulations to whomever conceived of this pairing of two improvised music giants. Pianist Craig Taborn and saxophonist Mats Gustafsson, both born in the great white north (so to speak), Taborn in Minneapolis and Gustafsson, Umeå, in Northern Sweden. Both are original and distinctive improvisers whose paths had never crossed until the 2015 Ljubljana Jazz Festival.
