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Il moto multiplo di Craig Taborn
by Giuseppe Segala
Prima di leggerne le parole precise ed esaurienti nell'intervista, è il caso di ricordare alcune cose di Craig Taborn, pianista quarantasettenne che si colloca ai massimi livelli della scena contemporanea. In primo luogo la sua profonda curiosità intellettuale, che lo porta a un intreccio di interessi nei confronti di forme diverse dell'espressione artistica e della ...
Suoni Per Il Popolo 2017
by Mike Chamberlain
Casa del Popolo, Sala Rossa, La Vitrola Suoni Per Il Popolo Montreal, Quebec, Canada June 1-24, 2017 This year's edition of the Suoni per il Popolo, or Suoni as it is popularly known, was the 17th since the inception of Mauro Pezzente and Kiva Stimac's Casa del Popolo mini-empire, which also ...
Mats Gustafsson
by Vincenzo Roggero
If Mats Gustafsson's approach to music were to be described with a single adjective, it would have to be “intense." This applies to him both as a musician, as illustrated by over three decades of playing with stalwarts of the free and creative jazz scenes on both sides of the Ocean (Ken Vandermark, Peter Brötzmann, Joe ...
Simone Quatrana: Punto
by Neri Pollastri
C'è qualcosa di (positivamente) antico in questo lavoro in trio del pianista frusinate ma di stanza a Milano Simone Quatrana, studi con Franco D'Andrea, esperienze con Peter Brotzmann e Ken Vandermark, e militanza, tra l'altro, nell'Extemporary Vision Ensemble di Francesco Chiapperini (clicca qui per leggere la recensione di Our Redemption) e qui alla testa di un ...
Fred Anderson: On the Run
by Lazaro Vega
This interview was first published at All About Jazz in August 2002 and is part of our ongoing effort to archive pre-database material. The Roscoe Mitchell Quintet with special guest Fred Anderson played a successful benefit concert for Blue Lake Fine Arts Camp at the Wealthy Theatre in Grand Rapids, Michigan. The quintet's performance, ...
Billy Jones: 3's a Crowd
by Troy Dostert
Duo records involving drummers aren't that common in the world of straight-ahead jazz. While it's never been an infrequent option for avant-gardists (and there are some truly legendary examples, not the least of which are John Coltrane and Rashied Ali's Interstellar Space, Max Roach and Cecil Taylor's Historic Concerts, and Peter Brötzmann and Hamid Drake's Dried ...
Mats Gustafsson/ Alfred Vogel: Blow + Beat
by Karl Ackermann
Swedish saxophone powerhouse Mats Gustafsson was playing with his trio--The Thing--at the 2016 Beazau Beatz Festival when he hooked up with the excellent, but under-recognized, Austrian drummer Alfred Vogel, who hosts the outing. The resulting Blow + Beat is an extraordinarily challenging musical experiment from two fearless advocates of free thought. The saxophone/drum duo is an ...
Jazzahead: A Look at Jazz In Germany
Looking forward but also remembering… Peter Brötzmann stands at the edge of the stage with his tenor sax hanging on its sling. He is holding the mouthpiece in his hand, trimming a reed, listening intently: drummer Oliver Steidle is letting rip, but his playing is also very structured. Close your eyes and this could be an ...
Dana Jessen: Carve
by Karl Ackermann
The bassoon rarely makes an appearance outside of the orchestral setting though it has found a place in jazz recordings dating back to Paul Whiteman and much later with Chick Corea. The instrument is considered one of the most difficult to play but its natural range and dynamics are far-reaching and versatile. Add in electronics and ...
DKV Trio / The Thing: Collider
by John Sharpe
Recorded live at Krakow Jazz Autumn in 2014, Collider unites two of the hardest hitting contemporary outfits in an off the wall summit. It's notable that all the members of the DKV Trio and The Thing, except bassist Ingebrigt Haker Flaten, have a history of working with the Peter Brötzmann Chicago Tentet, the large improvising collective ...
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