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26

Article: Year in Review

Geno Thackara's Best Releases of 2016

Read "Geno Thackara's Best Releases of 2016" reviewed by Geno Thackara


I always say it when recapping every year, and it's been truer than ever for me since I was fortunate to join All About Jazz at the start of 2016: there's always too much great stuff to take in. There are always too many albums we don't get around to during the year and too little ...

6

Article: Album Review

Haakon Graf/Erik Smith/Per Mathisen: Sunrain

Read "Sunrain" reviewed by Geno Thackara


Digging into the staggered groove of “Santa Monica" during an end-of-2014 performance in jny: Oslo's Olsen Bar, Haakon Graf glides along the keys in an easygoing manner to begin building the show's energy. The electric trappings of '70s Jeff Beck come to mind--albeit without the guitar--alongside the sound of classic outfits like Weather Report and Herbie ...

20

Article: Album Review

Haakon Graf/Erik Smith/ Per Mathisen: Sunrain

Read "Sunrain" reviewed by Mark Sullivan


"Sunrain" is a common Scandinavian weather phenomenon: after weeks of rain, there are often clouds with showers pouring down as the sun peers through the other side. Keyboardist/composer Haakon Graf considers it “a metaphor for the fabric of life, a place between a smile and a tear, like my music..." His trio with drummer Erik Smith ...

4

Article: Album Review

Per Mathisen: Sounds of 3

Read "Sounds of 3" reviewed by Geno Thackara


“We never solo, we always solo." Like so many great ideas, Joe Zawinul's iconic line about his group Weather Report is both brilliantly simple and allows for endless possibilities. No single player gets featured in the spotlight while the others provide a steady pattern behind them; rather everyone constantly improvises around the framework of a given ...

9

Article: Album Review

Per Mathisen/Frode Alnæs/Giraldo Piloto: Sounds Of 3

Read "Sounds Of 3" reviewed by Mark Sullivan


Norwegian bassist Per Mathisen (aka “The Bass Viking") leads an exciting, empathetic, virtuosic fusion jazz trio on Sounds Of 3. This is a modern electric trio in the same vein as bassist Jonas Hellborg's trio with guitarist Shawn Lane and drummer Jeff Sipe, guitarist Alex Machacek's trio with 5-string electric bassist Matthew Garrison (and Sipe again), ...

8

Article: Multiple Reviews

Losen Records: Jazz Around the World

Read "Losen Records: Jazz Around the World" reviewed by Jakob Baekgaard


Since the beginning, the Norwegian label Losen Records, which is run by the indefatigable Odd Gjelsnes, has not been satisfied with a replication of the so-called Nordic sound. Instead, Gjelsnes has literally spread himself around the world, with albums recorded in Australia, Sweden, South Africa, Norway and Spain. Gjelsnes is a true world citizen and the ...

10

Article: Record Label Profile

Losen Records: New Norwegian Sounds

Read "Losen Records: New Norwegian Sounds" reviewed by Jakob Baekgaard


Mention the phrase “the Norwegian sound" and many listeners will get an image in their head. An image of a natural, deep echoing sound influenced by the mountains and hills of the Norwegian landscape. Such an image is, of course, a cliché, but to some critics it has stuck and distorted the rich fertility of the ...

5

Article: Album Review

Acuna - Hoff - Mathisen: Barxeta

Read "Barxeta" reviewed by John Kelman


With Jungle City (Alessa, 2009), Norwegians Jan Gunnar Hoff (keyboards) and Per Mathisen (bass) documented their meeting with Peruvian-born Alex Acuña, a Weather Report alum who leapt onto the international stage, first as percussionist and then kit drummer, on the fusion super group's Black Market (Columbia, 1976) and Heavy Weather (Columbia, 1977). That, after a first ...

14

News: Recording

FFEAR (Forum for Electro-Acoustic Research) to Release New Recording "Mirage" on Jazzheads Records.

FFEAR (Forum for Electro-Acoustic Research) to Release New Recording "Mirage" on Jazzheads Records.

FFEAR (Forum for Electro-Acoustic Research) is an adventurous improvising quartet co-led by long-time collaborators Ole Mathisen and Chris Washburne.  FFEAR's prime objective is to research and explore new sonic possibilities by adopting contemporary classical compositional techniques into an improvisational setting. Conventional uses of meter, tonality, and harmony are replaced with multiple meters, microtonality, and open templates ...


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