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Pee Wee Russell

Born:

Clarinetist Pee Wee Russell is one of those unique players that comes along only once in a lifetime, squawking his way quite expressively in an unpredictable fashion, carving out his own distinctive voice. Pee Wee was born Charles Ellsworth Russell in St. Louis and began playing clarinet in Muskogee Oklahoma which is famous for giving the jazz world pianist Jay McShann. Pee Wee's career in jazz began in the early 1920's in Chicago with Bix Beiderbecke and Frank Trumbauer, cutting his first sides with Red Nichols and his Five Pennies in 1929. The band also featured Glenn Miller and Jack Teagarden on trombones, Bud Freeman on tenor sax and Eddie Condon on guitar. By the early 1930's, Pee Wee moved to New York where he found a steady home in the bands of Eddie Condon and jamming with a roster of hot jazz players including Bobby Hackett, Red Allen, Edmond Hall, Hot Lips Page, Jack Bland, Buster Bailey and Vic Dickenson

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Article: Album Review

Mal Waldron / Steve Lacy: The Mighty Warriors

Read "The Mighty Warriors" reviewed by Karl Ackermann


Mal Waldron and Steve Lacy first played together in 1958 at the Bowery neighborhood's Five Spot. Their association was long, if not necessarily prolific on record. Though their personal styles contrasted, they frequently existed in a parallel universe. Both expatriates lived in Paris, were predisposed to the avant-garde, and shared a deep appreciation for Thelonious Monk's ...

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Article: Radio & Podcasts

James Brandon Lewis, Kenny Drew, Satoko Fujii, Julian Lage

Read "James Brandon Lewis, Kenny Drew, Satoko Fujii, Julian Lage" reviewed by David Brown


We kick off the show with some works that blur the lines of genre from James Brandon Lewis, Mary Halvorson and the Chicago Underground Duo; move into a set of late '50s recordings by pianist Kenny Drew, and then take off in all directions from there: piano trios from Satoko Fujii, Marc Copland and Matthew Shipp; ...

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Article: Liner Notes

Paul Quinichette: Like Basie

Read "Paul Quinichette: Like Basie" reviewed by C. Andrew Hovan


Like any business concerned with making a profit, the record industry has often resorted to questionable concepts, tributes, or other hooks to lure more costumers to their product. Currently we find ourselves in an era where the quality of original music is arguably on the decline, thus it has become even more prevalent to use nostalgia ...

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News: Music Industry

Dick Hyman and Austin High Revisited

Dick Hyman and Austin High Revisited

In 1922, five white high-school teens started a jazz revolution. All attended Austin High School on Chicago's West Side and were mad about jazz—the jazz that came up to the city from New Orleans in 1920. That's when Prohibition led to bootlegging, organized crime, and speakeasies and clubs run by gangsters who needed exciting music to ...

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Article: Year in Review

2021: The Year in Jazz

Read "2021: The Year in Jazz" reviewed by Ken Franckling


The jazz world continued grappling and adjusting in year two of the COVID-19 pandemic. International Jazz Day again went virtual for the most part. Singer Tony Bennett put the final stamp on his touring--and likely recording--career after his Alzheimer's disclosure. Trumpeter Irvin Mayfield was headed to federal prison. The National Endowment for the Arts welcomed four ...

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Article: Under the Radar

The Rebel Festival

Read "The Rebel Festival" reviewed by Karl Ackermann


On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...

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Article: Building a Jazz Library

Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums

Read "Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums" reviewed by Chris May


Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...

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Article: Radio & Podcasts

Free Association - Vol. 2 with Michael Blake

Read "Free Association - Vol. 2 with Michael Blake" reviewed by Ludovico Granvassu


Free Association is a series of collaborative mixtapes curated by Mondo Jazz in association with musicians and selectors of various origins. Free Association mixtapes develop as a conversation. The first selector sends a tune cherry-picked to suit, and ideally surprise, the second selector who then, in turn, returns the favor. ...

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Article: Profile

The Very Singular Mr. Ran Blake

Read "The Very Singular Mr. Ran Blake" reviewed by Duncan Heining


There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...


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