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13

Article: Album Review

Pauline Oliveros/Roscoe Mitchell/John Tilbury/Wadada Leo Smith: Nessuno

Read "Nessuno" reviewed by Karl Ackermann


In 1991 the label I Dischi Di Angelica was founded solely for the purpose of documenting the performances of its namesake music festival in Italy. The non-profit label has grown--but only marginally--releasing a compact catalog of global music, typically related to artists that have some association with the annual event. Fortunately for fans of creative music, ...

9

Article: Album Review

Pauline Oliveros & Connie Crothers: Live At the Stone

Read "Live At the Stone" reviewed by Karl Ackermann


Connie Crothers passed away in August of 2016; an accomplished composer, improviser and pianist, she was not nearly as well-known as she should have been for someone whose talent attracted musical partnerships with Max Roach and Lennie Tristano. Despite playing everywhere from the downtown scene, to Carnegie Hall, to Europe's music halls, her refusal to run ...

20

Article: Album Review

Bojan Vuletić / Nate Wooley / Zeena Parkins / Vera Westera: Fugitive Beauté

Read "Fugitive Beauté" reviewed by Karl Ackermann


On Fugitive Beauté, Serbian composer Bojan Vuletić wrote thirteen pieces inspired by the French poet/writer Charles Baudelaire who, among other accomplishments, is credited with coining the term “modernity" to describe the brief, transient nature of Parisian life during the period of industrialization in the nineteenth century. Baudelaire's poetry has inspired many musical adaptations in the forms ...

11

Article: Album Review

Thollem McDonas: Your Letter Must Have Followed Me All Over The World

Read "Your Letter Must Have Followed Me All Over The World" reviewed by Dave Wayne


Coming at improvisational music from the classical realm, pianist Thollem McDonas remains resolutely outside of the main stream of the jazz world. Primarily inspired by, as he puts it in his liner notes to Meeting at the Parting Place, ... “European concert music from the Renaissance to the 20th Century and jazz, particularly of the '60s ...

43

Article: Live Review

Big Ears Festival 2016

Read "Big Ears Festival 2016" reviewed by Mark Sullivan


Big Ears Festival Knoxville, TN March 31-April 2, 2016 Since its beginning in 2009, the Big Ears Festival has always been willfully, unapologetically eclectic. Their own self-description is “a dynamic, interactive experience that explores connections between musicians and artists, crossing all musical genres while interfacing with film, performance and the visual arts." ...

11

Article: Album Review

Robin Hayward: Stop Time

Read "Stop Time" reviewed by Karl Ackermann


In his native Manchester, England, tuba player and composer Robin Hayward had originally studied classical music before he became involved in London's growing improvisation culture in the mid to late 1990s. Hayward then moved to Berlin to engage with the more open musical culture among younger, like-minded artists. His restless curiosity and inventiveness began to peak ...

2

News: Recording

Ches Smith with Craig Taborn and Mat Maneri release "The Bell" on ECM Records

Ches Smith with Craig Taborn and Mat Maneri release "The Bell" on ECM Records

Ches Smith: drums, vibraphone, timpani; Craig Taborn: piano; Mat Maneri: viola The Bell features dynamic chamber music compositions written for masterful improvisers. “The best thing I caught all weekend,” said critic Peter Margasak of the 2014 New York Winter Jazzfest, “was a superb trio led by drummer Ches Smith with pianist Craig Taborn and violist Mat ...

Album

Accordion & Voice

Label: Important Records
Released: 2014
Track listing: Horse Sings from Cloud; Rattlesnake Mountain.

5

Article: Album Review

Various Artists: Creative Music Studio Archive Selections Vol. 1

Read "Creative Music Studio Archive Selections Vol. 1" reviewed by Giuseppe Segala


Ecco alcune gemme uscite dagli archivi del Creative Music Studio, l'istituzione fondata nel 1971 da Karl Berger, dalla moglie Ingrid e da Ornette Coleman con lo scopo di realizzare musica senza costrizioni di carattere stilistico o commerciale. Ricordiamo le interessanti considerazioni al riguardo di George Lewis, che nel suo testo A Power Stronger Than Itself. The ...

57

Article: Album Review

Pauline Oliveros: Accordion & Voice

Read "Accordion & Voice" reviewed by Karl Ackermann


It's understandable if Pauline Oliveros is not a top-of-mind name, even after more than five decades in music. The eighty-two year old composer has been far-removed from the mainstream as a pioneer in the subculture of experimental electronic music and composition since the 1960s and her acoustic instrument of choice is the accordion. Yet her résumé ...


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