Results for "Pauline Oliveros"
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Pauline Oliveros
Born:
Composer/performer Pauline Oliveros based in Kingston, New York since 1981 has performed worldwide as a soloist on her just tuned accordion and with the Deep Listening Band. (Tuning chart) As a composer her recent awards include the Bessie Award from Dance Theater Workshop for Contenders (1991) a work for Susan Marshall Dance Company, A Fellowship from the National Endowment for the Arts in 1992 for composing Epigraphs in the Time of Aids for the Deep Listening Band and a grant from the Foundation for Contemporary Performance 1994 for her work. Her most recent compact disc Pauline Oliveros and American Voices (1994) is already gathering critical acclaim
Dreamstruck: With Grace In Mind
by Mike Jurkovic
With over one hundred and twenty-five years of gigging and recording between them, one might rightfully argue that pianist Marilyn Crispell, bassist Joe Fonda, and drummer Harvey Sorgen have said, played, performed, and heard everything that needs be said, played, performed, and heard. The argument could continue that the trio-- Dreamstruck-- have individually and collectively contributed ...
The Essential Satoko Fujii, Part 2: Duos
by Dan McClenaghan
Satoko Fujii releases a lot of albums. Most of them are regular CDs, but she has also moved into the Bandcamp offerings, online only. The Essential Satoko Fujii, Part 1 featured four different sides of her artistry: Solo, duo, trio, quartet and orchestra. Part 2 will showcase some of her outstanding duo discs. Satoko ...
Susan Alcorn: Another Way
by Dom Minasi
If you are not into improvised music, you may not know Susan Alcorn. Take it from someone who has listened and played with her, she is a giant I never heard of Susan till one Sunday night at the legendary CBGB's Sunday Night Avant-Garde series where she performed with tenor saxophonist, Joe Giardullo. I ...
A Pair From Polish Saxophonist Adam Pieronczyk
by Dan McClenaghan
Sometimes music sits in the cellar and ages like fine wine. In 2016, Polish saxophonist Adam Pieronczyk recorded in the quartet outing I'll Colour Around It and a solo soprano saxophone recital, Oaxaca Constellation, both self-produced. These two albums rise up from those wine cellar steps in 2021, ready for consumption, spinning out sounds as intrepid ...
Unconventional Instruments
by Karl Ackermann
ECM regularly tops lists of the best jazz labels though their full name--Edition of Contemporary Music--would argue for a broader scope of content. A substantial number of their most popular albums, such as Carla Bley's Escalator Over The Hill (1974), Egberto Gismonti: Dança Dos Escravos (1989), Nils Petter Molvær's Khmer (1997), and many more, are not ...
The Pandemic Sessions: Solos, Pt. 1
by Mark Corroto
Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis and of course, that includes musicians. Unable to tour and record with their various ensembles, many prepared solo projects (some recorded before the virus struck) for your listening pleasure. Most of the music is very personal, as if the ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
Gary Husband & Markus Reuter: Music Of Our Times
by Dan McClenaghan
A tour of Japan was canceled. Some lag time ensued. So Leonardo Pavkovic—el jefe at MoonJune Records—set up some studio time for multi-instrumentalist (pianist here) Gary Husband and guitarist Markus Reuter. The result is Music Of Our Times. The set is spontaneously-composed. It is tranquil, moody and atmospheric. The first impression of the opening ...
Jonah Prazen-Johnson: Imagine Giving Up
by Karl Ackermann
When Jonah Parzen-Johnson released his first full-length album, Michiana (Primary Records, 2012), the Brooklyn-based artist seemed to give priority status to the electronics through which he filtered his baritone saxophone compositions. Even more so, Parzen-Johnson's 2015 follow up, Remember When Things Were Better Tomorrow (also on Primary), was dominated by ambient drones. Parzen-Johnson has continued to ...
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