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FURT and electronics on Psi
by John Eyles
The four latest releases on saxophonist Evan Parker's Psi label tell an interesting story about the past decade as well as about Psi and Parker. Each of the four releases features electronics and includes one or both members of the improvising electronics duo FURT--Richard Barrett and Paul Obermayer. After Psi debuted in late 2001, ...
Evan Parker: set: For Lynn Margulis
by Raul d'Gama Rose
Lynn Margulis' Serial Endosymbiosis Theory, which began making its rounds in the scientific community in 1966 as The Origin of Mitosing Eukaryotic Cells and graduated into Symbiosis in Cell Evolution, published in 1981 pushed outward forever in dramatic manner the boundaries relating the evolution of micro organisms. Margulis' quest for the absolutely honest and exciting developmental ...
Transit: Quadrologues & Nate Wooley: The Seven Storey Mountain
by Clifford Allen
The work of trumpeter Nate Wooley falls into a number of camps: free improvisation, experimental noise or restructuralist post-bop. It would be easy to lump him in with a young trumpeters/ extended techniques setting but Wooley is decidedly an individual. And while brass players tend to elicit an expected bravura, Wooley is very much at home ...
The New Black: The White Album
by Clifford Allen
Percussionist Gino Robair's Rastascan label, based in the Bay Area, has long been a sort of outpost for non-idiomatic improvisation in the US, recording groups like the Evan Parker/Barry Guy/Paul Lytton Trio, German reedman Wolfgang Fuchs, saxophonist John Butcher and guitarist Derek Bailey. Robair studied with AMM percussionist Eddie Prevost in England, as well as composition ...
Barry Guy: Ode to a Bassist
by A. Henkin
In 2007, just in time for bassist Barry Guy's 60th birthday, Intakt Records released Portrait, equal parts compilation, introduction, overview and mere glimpse into the musical world of this instrumentalist, composer and bandleader. There are tracks from several editions of Guy's colossal London Jazz Composers Orchestra (LJCO), pieces done with longstanding collaborators like Evan Parker and ...
Marilyn Crispell: Uncompromising Power and Grace
by Lloyd N. Peterson Jr.
Her notes crash like waves at sea on a stormy winter's night; they gently float and slowly fall like early morning mist; yet it's the silence--the silence between the notes--which provides the haunting poetic beauty that is the music of pianist Marilyn Crispell.Lloyd Peterson: Is there a decrease in listeners for creative music today?
Peter Brotzmann Chicago Tentet: Bridging the Future with the Past
by Lloyd N. Peterson Jr.
There may not be a more creative group of artists anywhere within the boundaries of any art form than those within the Peter Brotzmann Chicago Tentet. These are individuals that comprehensively understand their responsibility to art and it is only through this level of integrity and creativity that art can, and will continue to move forward. ...
Paal Nilssen-Love: Transforming the Boundaries of Creative Music
by Lloyd N. Peterson Jr.
He learned to play the drums before he could walk, battled cancer before the age of thirty, and is a driving force behind several of today's most innovative and progressive bands (Atomic, The Thing, Ken Vandermark, Frode Gjerstad and the Peter Brotzmann Tentet) just to name a few. He has taken the drums to new creative ...
Paul Lytton / Nate Wooley: Paul Lytton / Nate Wooley Duo
by Kurt Gottschalk
Although titularly a trumpet festival, New York's FONT (Festival of New Trumpet) presented a handful of subtly inventive percussionists during its two-week run at the end of September, 2007. Sean Meehan and Tatsuya Nakatani each played on the penultimate afternoon, both working with drums more as resonating chambers than beat boxes and both arguably following in ...
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