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Cliff Brucker: Full Circle Vol. 2
by Don Phipps
On Full Circle Vol 2, Albany, New York-based drummer Cliff Brucker and friends reach back to the swing and bop jazz periods to showcase their talents on a set of first-rate standards. These musicians clearly understand the bop trade and what emerges from their collective knowledge is solid and assured music. The entire affair is like ...
Meet Davis Wilson
by Tessa Souter and Andrea Wolper
Jeopardy contestant, amateur pianist, dance teacher, actor, sailor, postal worker, our July Super Fan has lived all over the place and done it all. Now based in St. Paul, Minnesota, he met “zillions of artists" as keeper of the flame at the old Artists' Quarter jazz club. But he stumbled upon one of the most memorable ...
Ron Korb: Pan-Global Flutist
by Rob Caldwell
In a 20-year career, Grammy nominated flutist Ron Korb has experienced the lows and highs of a touring musician. He's been stuck in the Panamanian jungle when the bus transporting he and his band to their show broke down, leaving them teetering on the top of a hillside for hours in the blazing sun while repairs ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Danny Green Trio Plus Strings: One Day It Will
by Dan McClenaghan
Charlie Parker, alto saxophonist/bebop pioneer, got the ball rolling on the adding of strings to jazz. This went down in the late 1947 through 1950, on a pair of releases on Mercury Records introducing the sound of the Yardbird backed by a symphony orchestra. These sets were later compiled by Verve Records and issued in 1995 ...
Mauricio de Souza: Trajetórias
by Chris M. Slawecki
The quiet masterpiece Trajetórias captures drummer, composer, arranger and bandleader Maurício de Souza leading his jazz ensemble Bossa Brazil in a beautiful live performance through Brazilian pop and jazz classics from the pens of such legends as Antonio Carlos Jobim, Hermeto Pascoal, Milton Nascimento and Pat Metheny. Producer de Souza envelops each live performance ...
WM Project releases debut From a Familiar Place featuring Jeremy Pelt, Marshall Gilkes and Rafal Sarnecki
WM Project has released their debut album From a Familiar Place on WM Records. While WM Project is a brand-new constellation, the musical masterminds behind it, pianist Andrzej Winnicki and tenor saxophonist Krzysztof Medyna, go back a long way. They have played together in the fusion group Electric Breakwater, and have furthered appreciation of Polish composer ...
Michael Zilber: Originals For the Originals
by Paul Rauch
Saxophonist/composer Michael Zilber is better known by fellow musicians than by the jazz public, this is an unfortunate truth. The Vancouver, B.C., native moved to Boston in his late teens, then to New York City to begin his musical odyssey. Musicians there recognized his prodigious talent, resulting in recordings with jazz royalty such as Dizzy Gillespie, ...
Gil Spitzer: Falando Docemente
by Dan McClenaghan
Bossa Nova music, from Brazil, became part of the America's DNA in the early 1960s, with albums like Jazz Samba (Verve Records, 1962) and Getz/Gilberto (Verve Records, 1964). The key players: Saxophonist Stan Getz, guitarist Charlie Byrd, vocalist/guitarist Joao Gilberto; composer/pianist Antonio Carlos Jobim. With Falando Docemente alto saxophonist Gil Spitzer--who cites Stan Getz ...
Alan Skidmore: After The Rain
by Duncan Heining
In 1998, with After The Rain British saxophonist Alan Skidmore got to achieve a lifetime ambition to record this beautiful 'jazz with strings' album. Out of print for some time, its reissue is well overdue. It was once a cliché in the jazz world amongst critics that records such as this represented a descent into the ...
