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Lew Soloff: Sketches Of Spain
by Karl Ackermann
Lew SoloffSketches Of SpainSheffield Lab 2010 Sometimes it feels as though trumpeter Miles Davis never left the stage--his afterlife in airplay, books, t-shirts, reissues and tributes is ubiquitous. But even for those jazz fans who would rather not languish in nostalgia, Davis, like saxophonist John Coltrane, continues to ...
Eli Degibri: Israeli Song
by Dan Bilawsky
Eli DegibriIsraeli SongAnzic Records2010 If jazz buffs were approached at the start of the 1990s and asked to list some top-flight Israeli jazz musicians, plenty of them wouldn't be able to utter a single name. That just goes to show how much the times have changed. In ...
KSDS Jazz 88 Ocean Beach Music and Arts Festival
by Robert Bush
Jazz 88 Ocean Beach Music & Art FestivalWinston's, Hodad's Stage, The Harp Ocean Beach, CA September 11, 2010 Perfect day for a party: the sun shone bright in a cloudless sky, it's heat mitigated by a cool ocean breeze. After a one year hiatus due to the terrible economy of ...
Alex Levin Trio: New York Portraits
by C. Michael Bailey
Artists do not evolve in a vacuum. Collectively, they assimilate all they have learned and heard into a new creative paradigm that they call their own. A durable respect for the past characterizes the trio art of pianist Alex Levin. Listening to his collection New York Portraits, the spirits of pianists long gone are present in ...
Milton Suggs: Things to Come
by C. Michael Bailey
There is a warm wind blowing in from Chicago and his name is Milton Suggs. With male jazz vocalists an endangered species, any new discovery is noteworthy, but Suggs is something special. Suggs is a brilliant throwback-bring-forward combination of Joe Williams's grace, Johnny Hartman's sensuality, and representing the singer's anima, Betty Carter's electric elasticity.
Dmitri Kolesnik at Dizzy's Club Coca Cola
by AAJ Staff
Dmitri KolesnikDizzy's Club Coca ColaNew York, NYAugust 27, 2010Dmitri Kolesnik came to New York from his native St Petersburg in 1991, to study bass with Ron Carter. Now Kolesnik is a firm fixture on the jazz scene in New York. At Dizzy's Club Coca Cola, Kolesnik's band featured trumpeter Joe Magnarelli, ...
After Hours - A Great Blowing Session
I recently listened to an obscure Prestige album from 1957 called After Hours. It is a group blowing session without a true leader but with a stellar lineup: Thad Jones (trumpet), Frank Wess (flute and tenor sax), Kenny Burrell (guitar), Mal Waldron (piano), Paul Chambers (bass), and Arthur Taylor (drums). This is a wonderful collection of ...
The State of The Saxophone Trio: Dan Moretti, Domenic Landolf, Jacob Duncan
by C. Michael Bailey
There is something Baroque about jazz ensembles lacking a piano or guitar as a harmony instrument . Their absence frees previously occupied sonic space for other uses. The format also sets up a more pronounced contrapuntal interplay between the remaining players. The saxophone trio has become quite mainstream since Sonny Rollins blew into the Village Vanguard ...
Red Garland: The 1956 Trio
by Eric J. Iannelli
By the time pianist Red Garland recorded the amalgam of tracks on this essential disc, he'd been playing with the Miles Davis Quintet for about a year. Although he had performed alongside big names before, including Charlie Parker and Lester Young), The Quintet (as it would come to be known) was truly an all-star lineup: Garland, ...
Vic Damon, 30th Street Studio, Village Vanguard
by Sean Dietrich
The oft forgotten recording studio. It's humble presence remains under-acclaimed. Electric lights suspended high above a giant mess of cables. Omniscient microphones standing tall, appraising the heart of arrogant musicians who approach. Scribbled papers rest on music stands, while heated brawls are incubated among hot headed horn players. This is where music is born. And yet ...
