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Mats Gustafsson
by Vincenzo Roggero
1. Hank Mobley, Hank Mobley (Blue Note, 1957). Il disco jazz definitivo?! È tutto perfettamente bilanciato in questa supersession. Il sax tenore è poetico e la tromba di Art Farmer non è mai stata così lirica ed emozionante. Art Blakey è un genio dello swing e la foto di copertina è una delle mie ...
Caroline Davis
by Vincenzo Roggero
After honing her skills on the Chicago scene, Caroline Davis has rapidly established herself as an in-demand musician and educator in New York, where she moved in 2013, and internationally. Her debut album, Live Work & Play, was featured on All About Jazz's best releases. The leader or co-leader of several interesting projects, ranging from her ...
Satoko Fuji: Invisible Hand, Trouble Kaze: June, Satoko Fujii Orchestra Tokyo: Peace
by Giuseppe Segala
Tre recenti realizzazioni discografiche della pianista Satoko Fujii mettono in evidenza quanto l'ampio ventaglio della sua ispirazione sia in continuo fermento, coniugando la sperimentazione di nuovi organici strumentali allo scandaglio di tecniche compositive e improvvisative, in una rete di contrasti che danno forma a un ampio affresco in costante movimento. In particolare, emerge il lavoro in ...
Filippo Vignato
by Paolo Peviani
Il tratto principale della mia musica Il contrasto tra melodia e rumore. La qualità che desidero nei musicisti che suonano con me La possibilità di una profonda comunicazione reciproca. Come musicista, il momento in cui sono stato più felice Ogni volta in cui riesco a stabilire un'empatia con chi ...
Michel Lambert: Alom Mola
by John Eyles
Michel Lambert is probably best known as a jazz and improvising drummer, most familiar from his recordings with fellow Canadian and saxophonist François Carrier, made since the turn of the millennium. However, there are other sides to Lambert that are not immediately obvious from that work. He has released several albums of his own compositions on ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Martin Speake: The Thinking Fan's Saxophonist
by Duncan Heining
British alto saxophonist, Martin Speake, is one of the most adventurous and articulate musicians in a music peppered with creative artists. That he is not a household name--even within the proscribed and marginalised world of jazz--says more about the times than it does about Speake or his single-minded approach to his art. Speake combines ...
Jason Rigby: Detroit-Cleveland Trio: One
by Dan McClenaghan
The saxophone/bass/drums format has its challenge: the lack of a harmonic instrument to add depth and structure to the sound. Sonny Rollins put out a classic of the form: A Night At The Village Vanguard (Blue Note, 1958). But he's Sonny Rollins, and all the other saxophonist aren't. Same thing with Ornette Coleman and his two ...
Satoko Fujii: Invisible Hand
by Dan McClenaghan
In Satoko Fujii's extensive discography--about eighty releases, including recordings by several big bands and a variety a small combo groups--solo piano outings are scarce. There was Sketches (NatSat Records, 2004); and Gen Himmel (Libra Records, 2013), and not much else. Until now, with a Invisible Hand, a double CD set, recorded live at the jazz club ...
A dialogo con Andrea Massaria
by Neri Pollastri
Nel 2009 intervistammo il chitarrista triestino Andrea Massaria, allora autore di alcuni dischi in trio e in quartetto, di genere abbastanza convenzionale ma di ottima fattura, che stava avvicinandosi a un universo per lui nuovo, fatto di sperimentazione e improvvisazione radicale, testimoniati dal CD con il Chladni Experiment Trio, 5053, e dalla partecipazione a una conduction ...
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