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Article: Radio & Podcasts

Avant Hard

Read "Avant Hard" reviewed by Patrick Burnette


Mike drags Pat out of his blanket fort for close encounters with a couple heavy hitters of the avant-garde, a Chicago legend who doesn't believe in intonation, and a tribute to that legend that gets celestial from time to time. In pop matters Mike talks about a little known jazz short film from the fifties and ...

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Article: Radio & Podcasts

CTI: A Guilty Pleasure Special

Read "CTI:  A Guilty Pleasure Special" reviewed by Patrick Burnette


Mike's busy in Europe so Pat goes solo with a look at controversial jazz label CTI. A lynchpin of the early seventies, record buyers loved the artwork, high production values and impeccable musicianship, but hard-core jazzbos and critics were suspicious that owner Creed Taylor was putting too much sugar into the mixes, not to mention those ...

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Article: Radio & Podcasts

Electric and Eclectic

Read "Electric and Eclectic" reviewed by Patrick Burnette


The newest of the new. That's what our podcast brings you, sometimes, anyway, and this episode features four bangers from brand-spankin' 2022. Three of the four offer some “fusion" elements of one kind and another, and the other Mike keeps at arm's length because it edges him into the Jackie attack zone, and long-time listeners know ...

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Article: Radio & Podcasts

Definitive Article Lee

Read "Definitive Article Lee" reviewed by Patrick Burnette


Many moons ago on Episode 95 we did an podcast devoted to Freddie Hubbard, so in honor of the new Complete at the Lighthouse release, we thought it was time to do one for Lee Morgan But not to discuss Live at the Lighthouse because that's the way we roll. (Look me up on Facebook if ...

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Article: Radio & Podcasts

We'll Cross That Third Stream When We Come To It

Read "We'll Cross That Third Stream When We Come To It" reviewed by Patrick Burnette


Ambition can be a great thing in jazz—emphasis on the “can." We look at a mixed bag of releases experimenting with third stream music, Bach, and other elements. The results, like the music itself, are mixed. Still, our guess is that you haven't heard about at least one of these artists yet, and maybe not all ...

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Article: Radio & Podcasts

Sixteen Horns v. Six Strings

Read "Sixteen Horns v. Six Strings" reviewed by Patrick Burnette


Big bands tempt the ambitious jazzer with their expansive possibilities for arrangements, the variegated colors they offer, and their sheer power. But, boy, those budgets! These days you need a generous label or a grant or two to make things work. We take a look at a very seventies example of the genre and then a ...

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Article: Radio & Podcasts

Out of the Past

Read "Out of the Past" reviewed by Patrick Burnette


We listen to three releases from 2022, two exploring some interesting corners of jazz repertoire and one bringing back a format that thrived in the '50s. Then, just for kicks, we get a message back from the future of 1987. Does label Cellar Music contractually oblige its artists to cover a certain Benny Golson tune? Listen ...

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Article: Radio & Podcasts

Outstanding Hampton

Read "Outstanding Hampton" reviewed by Patrick Burnette


It's time for a deep dive, listeners, and the subject this round is underappreciated West Coast keyboard wizard Hampton Hawes. Hawes did most of his best-known recordings for Contemporary Jazz, and we'll look at a couple of releases on that storied (but also underappreciated) label, as well as a collaboration with Charles Mingus and a sample ...

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Article: Radio & Podcasts

Give the Drummer Less

Read "Give the Drummer Less" reviewed by Patrick Burnette


Drummers are the under-sung heroes of the jazz world. At their best, they lift up and enhance whatever the so-called front-liners are up to while being ready to step up and say their piece when called upon. But every now and then things get a bit... sticky. This episode explores four recordings where to varying degrees ...

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Article: Radio & Podcasts

Pop Goes the Jazzbo

Read "Pop Goes the Jazzbo" reviewed by Patrick Burnette


"Going Pop" can mean many different things where jazz musicians are concerned, from adding electricity (dang it, Miles, why you do that?), to covering pop songs, to actually experimenting with writing pop songs (not too many take this path and few emerge unscathed). And then there's rare jazzer combining jazz and pop songs, as you'll soon ...


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