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Ken Vandermark with Kris Davis/Hamid Drake/Paul Lytton/Ikue Mori/William Parker: Momentum 4: Consequent Duos 2015>2019 (Box Set)
by Karl Ackermann
When reed player and composer Ken Vandermark launched his recording career in 1995, he did so with the deceptively titled Standards (Quinnah Records). Free improvisations with titles like “Rage for Speaking" and “A Sick Man's Dreams" indicated a different view of the agreed-upon definition. And so, it has been and has evolved, over nearly twenty-five years ...
Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets
by Giuseppe Segala
Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...
Frode Gjerstad / Fred Lonberg-Holm / Matthew Shipp: Season of Sadness
by Karl Ackermann
Norwegian multi-reedist/composer Frode Gjerstad has been active in free jazz and avant-garde music across five decades. Among his collaborators are Paal Nilssen-Love, Peter Brötzmann, Evan Parker, Derek Bailey, William Parker, Sabir Mateen and Johnny Dyani. Gjerstad has toured and played festivals extensively, in Europe and North America, and composed commissioned work for the historic Moldejazz festival. ...
Rob Mazurek: Desert Encrypts Vol. 1
by Karl Ackermann
It was twenty-five years ago, in 1994, that Rob Mazurek first emerged with Man Facing East (Hep Jazz), a quartet recording solidly positioned in the post/hard bop style. Even in the interpretations of standards, there were clues that the cornetist/composer was a restless soul. In the intervening years, Mazurek has rapidly charted his own dissident destiny ...
A Bolzano trionfa la sperimentazione
by Libero Farnè
Südtirol Jazz Festival Altoadige 2019 Bolzano e dintorni, varie sedi 28.06-07.07.2019 All'Altoadige Jazz Festival, più che in altri appuntamenti, si ha l'opportunità di verificare come un concerto jazz sia sempre un fatto unico, irripetibile, poco prevedibile, soggetto a una serie di fattori ambientali, logistici e personali. Quest'anno, ancor più che ...
New Sounds Including The Fictive Five, The Comet is Coming and Sylvie Courvoisier
by Bob Osborne
A wide selection of new releases this time around demonstrating the wide range of genres emerging from jazz at the moment... Playlist The Comet Is Coming “Super Zodiac" from Trust in the Lifeforce of the Deep Mystery (Impulse) 00:00 The Fictive Five “Immediate Human Response (for Spike Lee)" from Anything Is Possible (Clean ...
Boneshaker: Fake Music
by Mark Corroto
The trio of saxophonist Mars Williams, bassist Kent Kessler and drummer Paal Nilssen-Love have taken the fitting name Boneshaker--a word coined to describe the early velocipede, what we today the bicycle. The moniker was appropriate because the bike's wheels (before the use of rubber tires) were made of wood, making the ride extremely uncomfortable. So why ...
Atomic: Pet Variations
by John Eyles
Formed in the spring of 2000, Scandinavian “supergroup" Atomic recorded and released their first album Feet Music (Jazzland) in 2001. The years since have been remarkably stable for the quintet; they have produced albums at an impressive rate of about a disc a year, including two collaborations with Ken Vandermark's School Days group. The only change ...
Belgrade Jazz Festival 2018
by Martin Longley
Belgrade Jazz Festival Dom Omladine/Kombank Dvorana Belgrade, Serbia October 25-29, 2018 The 34th edition of the Belgrade Jazz Festival maintained its exciting strategy of diverse programming, from Kurt Elling to The Thing, Marc Ribot to Bobby Shew, Cortex down to The Necks. That's already an enticing blend of ...
Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously
by Karl Ackermann
In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...
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