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A Bolzano trionfa la sperimentazione
by Libero Farnè
Südtirol Jazz Festival Altoadige 2019 Bolzano e dintorni, varie sedi 28.06-07.07.2019 All'Altoadige Jazz Festival, più che in altri appuntamenti, si ha l'opportunità di verificare come un concerto jazz sia sempre un fatto unico, irripetibile, poco prevedibile, soggetto a una serie di fattori ambientali, logistici e personali. Quest'anno, ancor più che ...
New Sounds Including The Fictive Five, The Comet is Coming and Sylvie Courvoisier
by Bob Osborne
A wide selection of new releases this time around demonstrating the wide range of genres emerging from jazz at the moment... Playlist The Comet Is Coming “Super Zodiac" from Trust in the Lifeforce of the Deep Mystery (Impulse) 00:00 The Fictive Five “Immediate Human Response (for Spike Lee)" from Anything Is Possible (Clean ...
Boneshaker: Fake Music
by Mark Corroto
The trio of saxophonist Mars Williams, bassist Kent Kessler and drummer Paal Nilssen-Love have taken the fitting name Boneshaker--a word coined to describe the early velocipede, what we today the bicycle. The moniker was appropriate because the bike's wheels (before the use of rubber tires) were made of wood, making the ride extremely uncomfortable. So why ...
Atomic: Pet Variations
by John Eyles
Formed in the spring of 2000, Scandinavian “supergroup" Atomic recorded and released their first album Feet Music (Jazzland) in 2001. The years since have been remarkably stable for the quintet; they have produced albums at an impressive rate of about a disc a year, including two collaborations with Ken Vandermark's School Days group. The only change ...
Belgrade Jazz Festival 2018
by Martin Longley
Belgrade Jazz Festival Dom Omladine/Kombank Dvorana Belgrade, Serbia October 25-29, 2018 The 34th edition of the Belgrade Jazz Festival maintained its exciting strategy of diverse programming, from Kurt Elling to The Thing, Marc Ribot to Bobby Shew, Cortex down to The Necks. That's already an enticing blend of ...
Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously
by Karl Ackermann
In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...
John Butcher
by John Eyles
In the Building a Jazz Library article on Evan Parker, it says that seasoned Parker followers would describe him as the finest improvising saxophonist of his generation. Curiously, many of those same people would use exactly that phrase about John Butcher. The simple explanation for this apparent contradiction is that we are talking about two generations; ...
Not Two...But Twenty! Festival
by John Sharpe
Not Two...But Twenty! Festival Wlen, Poland September 21-23, 2018 Intro There are some things worth celebrating in style, one of them being marked persistence in the face of adversity. That pretty much describes the continued existence of any jazz record label in these straitened times. To mark its 20th ...
European Jazz Conference Lisbon 2018: Portuguese showcases
by Henning Bolte
Centro Cultural de Belém (CCB); Livraria Ler Devagar European Jazz Conference Lisbon 2018 Lisbon, Portugal September 13-15, 2018 European Jazz Conference Lisbon 2018: Portuguese showcases This year's annual European Jazz Conference, a convention organized by the European Jazz Network, took place at Centro Cultural de Belém (CCB) in the Portuguese capital ...
Frode Gjerstad: Bop Stop
by Giuseppe Segala
A cavallo tra gli anni Settanta e Ottanta, quando nella scena jazz norvegese la presenza dell'etichetta germanica Ecm stimolava e indirizzava le scelte di tanti musicisti, il sassofonista Frode Gjerstad si volgeva a un altro panorama, cercando il contatto con le odissee procellose dell'improvvisazione storica europea, volgendosi soprattutto all'area britannica. Qui collaborò con grandi maestri che ...
