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Monty Alexander: Harlem-Kingston Express Live!
by David Rickert
Many jazz musicians have mined the music of other cultures and countries for new ideas. Many of the most successful combinations have come from importing the music of warmer climates--Afro-Cuban and bossa nova to name but two. Monty Alexander has always done the reverse: a native of Jamaica who played straight-ahead jazz in the ...
Cole Porter's Songs This Week on Riverwalk Jazz
This week on Riverwalk Jazz, singer Nina Ferro joins The Jim Cullum Jazz Band for a concert of Cole Porter compositions live from the Filoli Estate in California. The program is distributed in the US by Public Radio International, on Sirius/XM sattelite radio and can be streamed on- demand from the Riverwalk Jazz website. You could ...
Take Five With Tim Richards
by AAJ Staff
Meet Tim Richards: Tim's first encounter with a piano was at the age of eight, in a dentist's waiting room. After classical piano lessons he taught himself jazz and blues from the age of 14, after seeing Thelonious Monk on TV.Since forming the long-lived modern jazz quartet Spirit Level in Bristol in ...
Eliane Elias Shows a Captivating Charm to Merge with Monster Musical Talent
Eliane Elias was a fantastic pianist when she came from her native Sao Paulo to New York City in 1981. She's already worked with some of the best Brazilian musicians as a teenager. Her early albums show a pianist with monster chops, but with the ability to display delicate beauty. Passion and emotion. She did a ...
Christian Jacob: On Respect and Knowledge of Jazz in Japan
by Wayne Zade
Christian Jacob was born in Lorraine, France, and began classical piano studies at the age of four. His early musical influences included Debussy and Ravel, as well as Oscar Peterson, whose approaches to improvisation impressed him the most. Having won First Prize in a piano competition at the Paris Conservatory, Jacob studied and then later ...
Peter Zak: Down East
by Dan McClenaghan
Pianist Peter Zak and his superb trio went into the studio to swing on Down East, and swing they did. Opening with Duke Pearson's Is That So?," Zak displays a light touch and a sparkle and shine not unlike that of Red Garland or Oscar Peterson, with ubiquitous bassist Peter Washington and drummer Rodney Green locking ...
Take Five With Rhinoceri Trio
by AAJ Staff
Meet Rhinoceri Trio: The Rhinoceri trio, named for the most ponderous and terrifying beast of the primeval forest, both ponders and terrifies. Firmly rooted in the jazz tradition, the group's repertoire spans and blends a tapestry of influences from Duke Ellington's jungle jazz, Eastern European folk music, Ornette Coleman, Bach, Wagner ...
New Orleans Jazz & Heritage Festival 2011
by Sandy Ingham
Days 1-3 | Days 4-7 New Orleans Jazz & Heritage Festival New Orleans, LA April 27-May 6, 2011 Day 1: April 29, 2011The New Orleans Jazz & Heritage Festival turned 42 this year. I've been to 25, and the thrill of anticipation entering the fairgrounds and crossing to the ...
Borneo Jazz 2011
by Ian Patterson
Borneo JazzMiri, Sarawak, BorneoMay 12-15, 2011 Borneo Jazz--known as the Miri International Jazz Festival for the previous five editions--has undergone a certain amount of rebranding in an effort to promote its growing stature as one of the leading jazz festivals in the region. This year the festival has increased from two to ...
Michael Dease: Grace
by C. Michael Bailey
Michael Dease is to the trombone what Harry Allen is to the tenor saxophone. Lyrical, traditional, well-studied and broad based, both artists can equally get their freak on when necessary. Dease's trombone style contains many influences, but like many conservatory-trained musicians, Dease has had the time and practice to develop is own potent voice.


