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Under the Banner of McBride: Two Bass Hits from a Low-End Giant
by Dan Bilawsky
Bassist Christian McBride is many things to many people. Leader, sideman, writer, and conceptualist are just a few of the hats that he happens to wear on these two quintet- centered dates. One album puts McBride's name up in lights, while the other finds him in a supporting role, but his work is central to the ...
Frederick Moyer: When Summer Comes
by Chris Mosey
A homage in all but name by American concert pianist Frederick Moyer to one of his heroes, Oscar Peterson. All the songs, save two, formed a regular part of the late, great Canadian's repertoire. The closing number, Moyer's own composition, “Gospel" bears a striking resemblance to Peterson's “Hymn To Freedom." Interestingly, Moyer claims ...
Frederick Moyer: When Summer Comes
by Nicholas F. Mondello
A hardened cynic might think it could be a “grass is greener" rationale for a world-class concert pianist to take on a slew of GAS and jazz standards and record them in a solo format. “Ego-brushing," might also be tossed about. However, in the case of When Summer Comes a fine solo effort by Frederick Moyer, ...
Michael Dease: Coming Home
by C. Michael Bailey
Trombonist Michael Dease's Coming Home is the evolutionary culmination of all of the small group work of which he has been a part. Dease's musical personality reveals itself fully on the disc, one he has populated with a very fine band and thoughtfully composed and selected pieces for that band. Dease's previous work as a leader ...
Pointing Fingers... And Naming Names
by Jack Bowers
As the countdown continues toward the last Big Band Report in June, the time has come to point fingers and name names--in other words, to compile a short list of contemporary jazz musicians who have risen above the norm to help make life more pleasurable for one devoted listener. These are, mind you, personal choices, and ...
Paul Giallorenzo Trio: 3
by Mark Corroto
The Paul Giallorenzo Trio with Norwegian bassist Ingebrigt Håker Flaten and drummer Tim Daisy recorded this Chicago session in 2007. Since then, individual members have joined other bands and associations, but this disc documents a short lived yet musically significant project.Giallorenzo has previously released the quintet sessionGet In To Go Out (482 Music, 2009) ...
James Chance and Les Contortions: Cologne, Germany, Germany, February 28. 2013
by Phillip Woolever
James Chance and Les ContortionsGebaude 9Cologne, GermanyFebruary 28, 2013James Chance--still influential after his role as a catalyst in New York City's seventies-based No Wave movement--proved his enduring career amidst the upper creative edges is no novelty act. Chance and his cohesive backing trio (bassist Jacques Auvergne, guitarist Pierre ...
In Tune or Not in Tune... That Is the Question
by Jack Bowers
Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...
Newport Beach Jazz Party: Newport Beach, CA, February 14-17, 2013
by Larry Taylor
Newport Beach Jazz PartyNewport Beach, CAFebruary 14-17, 2013Thursday was Valentine's Day and the kickoff for the 13th Annual Newport Beach Jazz Party at the Marriott Hotel, Southern California. This four-day event combined two holidays, Valentine's & President's Weekend, bringing together some 70 great musicians, playing day and night--evening concerts in the Grand Pacific ...
Death, Rebirth & New Revolution
by Ian Patterson
The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...
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