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8

Article: Album Review

Total Music Association: Walpurgisnacht

Read "Walpurgisnacht" reviewed by John Sharpe


German free jazz enjoys a celebrated history. But while the likes of Peter Brötzmann, Alexander von Schlippenbach and Albert Mangelsdorff are among the marquee names, there's a whole other strata of lesser known entities. Among them is the short-lived Total Music Association, whose only LP, Walpurgisnacht, constitutes a revelatory reissue by the Lithuanian NoBusiness imprint. It ...

8

Article: Album Review

Samo Salamon: Dolphyology: Complete Eric Dolphy For Solo Guitar

Read "Dolphyology: Complete Eric Dolphy For Solo Guitar" reviewed by Dan McClenaghan


As the clock ticked toward 2020, jazz guitarists began recording tributes to jazz giants of yesterday who were not guitarists: Dom Minasi offered up a compelling and beautiful salute to pianist Cecil Taylor with Remembering Cecil (Unseen Rain Records, 2019), and Miles Okazaki gave us Work: The Complete Compositions of Thelonious Monk (Self Produced, 2018). In ...

2

Article: Radio & Podcasts

Nala Sinephro, John Zorn, Bugpowder, Xhosa Cole & More New Releases

Read "Nala Sinephro, John Zorn, Bugpowder, Xhosa Cole & More New Releases" reviewed by Ludovico Granvassu


Highlights from the European jazz scene plus a special focus on Ornette Coleman's direct and indirect inspiration of many contemporary musicians and on highly personal debut albums. Happy listening! PlaylistBen Allison “Mondo Jazz Theme" 0:00 Theorem of Joy “Atoll" L'hiver (Déluge) 0:16 Host talks 6:16 Mario Rom's Interzone “What You Say?" Eternal ...

3

Article: Album Review

Bridge Of Flowers: A Soft Day's Night

Read "A Soft Day's Night" reviewed by Mark Corroto


Go back to a time when music genre categories were not in effect, and listeners were open to crossing borders. Miles Davis was invited to play at rock concerts and Carlos Santana could cover a John Coltrane composition. Some might recall that the innovative free jazz label ESP Disk, started in 1963 by Bernard Stollman, put ...

10

Article: Multiple Reviews

Catching Up With 2021 Releases

Read "Catching Up With 2021 Releases" reviewed by Jerome Wilson


Despite another year of pandemic-related restrictions and limited live jazz performances, there was still the usual flood of new jazz recordings in 2021. Here are a few of the overlooked gems from the past few months that deserve some recognition. Joe Fielder's Open Sesame Fuzzy and Blue Multiphonics Music 2021 ...

5

Article: Album Review

Original Mind: You Know When It’s Time

Read "You Know When It’s Time" reviewed by Mark Corroto


It is rather like wine tasting. The trio Original Mind's twelve tracks deliver flavors familiar to adventurous music listeners; Brad Holden's saxophone has hints of Ornette Coleman and Evan Parker, bassist Dick Studer flavors with William Parker, and drummer Steve Hirsh adds notes of Paul Motian. Like great wines, though, those tasting notes are only for ...

Article: Live Review

Rope al Pinocchio di Firenze

Read "Rope al Pinocchio di Firenze" reviewed by Neri Pollastri


Rope Firenze Pinocchio Live Jazz 11.12.21 L'ultimo concerto della stagione invernale 2021 del Pinocchio Live Jazz vedeva in scena uno dei trii italiani più longevi, Rope, che Fabrizio Puglisi, Stefano Senni e Zeno De Rossi portano avanti da quasi vent'anni. La formazione, già in un lontano passato ospite del jazz ...

1

Article: Radio & Podcasts

Bach-in-Jazz + Concertos & Suites from Pharoah Sanders, Yusef Lateef and Rahsaan Roland Kirk

Read "Bach-in-Jazz + Concertos & Suites from Pharoah Sanders, Yusef Lateef and Rahsaan Roland Kirk" reviewed by David Brown


Bach-in-jazz tunes from Ornette Coleman, Aki Takase and Bud Powell and we'll sample “Promises" an electro-acoustic symphonic masterpiece from Floating Points & Pharoah Sanders.' Then, Yusef Lateef's “Symphonic Blues Suite," Rahsaan Roland Kirk's “Saxophone Concerto," and finally the Exploding Star Orchestra. Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... wherever the music ...

3

Article: Album Review

Rich Halley: Boomslang

Read "Boomslang" reviewed by Mark Corroto


Jazz has, to some extent, always been about making connections and pointing out interrelations. Ever since Buddy Bolden blew his cornet in New Orleans around the start of the twentieth century, listeners have been playing connect the dots, linking Bolden's innovations to King Oliver and Oliver's to Louis Armstrong, likewise Buck Clayton to Dizzy Gillespie and ...

26

Article: Building a Jazz Library

George Coleman: An Alternative Top Ten Albums

Read "George Coleman: An Alternative Top Ten Albums" reviewed by Chris May


Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...


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