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Results for "Ornette Coleman"
Miles Okazaki, Fred Moten, Billy Mohler & We Free Strings
by Maurice Hogue
New releases sampled come from guitarist Miles Okazaki & Trickster with the final piece of a trilogy, the unique ensemble We Free Strings, a powerful big band from Austria led by Barbara Bruckmüller, pianist Elias Stemeseder, bassist Billy Mohler's quartet, Swiss saxophonist Fabian Willmann, and poetry and free jazz from the trio of Fred Moten, Brandon ...
Federico Calcagno, fra Italia e Olanda
by Libero Farnè
Estremamente differenziato e incoraggiante si presenta l'attuale panorama dei jazzisti italiani emergenti, attivi in centri produttivi sparsi un po' ovunque, esponenti di diverse tendenze e rappresentati da varie etichette, nazionali o straniere. Senza dubbio in questi ultimi tre anni si è messo in particolare evidenza il clarinettista, leader e compositore milanese Federico Calcagno. Nato nel 1995, ...
Manel Fortia: Despertar
by Jerome Wilson
Bassist Manel Fortia is from Barcelona, Spain, but between 2016 and 2020 he lived in New York City. His experiences in both cities are the building blocks of the music he composed for this trio album which combines elegant Mediterranean romance with bristling big city energy. The solemn resonance of Fortia's bass plucking on ...
What Next After Kind of Blue?
by Steve Cook
For those dipping a first toe into jazz, the Miles Davis classic Kind of Blue (Columbia, 1959) is a common initial purchase or listen for many plausible reasons. Web searches for “best jazz albums of all time," or the like, bring up numerous lists that put it at the top and on newcomers' radars. Prominent placement ...
John Zorn Reflektor Series at Elb Philharmonic
by Phillip Woolever
John Zorn Elb Philharmonie John Zorn Reflektor Series Hamburg, Germany March 17-20, 2022 John Zorn recruited an extraordinary rotating group of musicians to convey his vast and varied vision during a full capacity, crowd-pleasing residency at the majestic Elbphilharmonie complex in Hamburg's robustly revitalized Hafen City district.
Welcome To Adventure
by Maurice Hogue
There are indeed some adventuresome artists in this edition of One Man's Jazz, although I pilfered the title for the show from the title of the Welcome To Adventure Vol. 2 by Daniel Carter, Matthew Shipp, William Parker & Gérald Cleaver. So far, their first volume has been the best-selling album in the history of 577 ...
From George Coleman to Meeco: Ten Overlooked Classics
by Chris May
The only thread running through this installment of Building A Jazz Library is that of unsung quality. No particular artist is spotlighted, nor any particular genre. There are simply ten, randomly selected albums, recorded in the US and Europe between 1953 and 2021, which show jazz off at its finest, but which, for one reason or ...
Ornette Coleman: Genesis of Genius: The Contemporary Albums
by Jeff Kaliss
For many an Ornette Coleman devotee, devotion was pledged with the singular saxophonist's The Shape of Jazz to Come (Atlantic). It was recorded in May and released in November of 1959, and it's a matter of when in our life we caught up with it. For some of us, that's when we first felt liberated by ...
Miles Davis & Don Cherry: Which One Is The Grifter?
by Chris May
The Swiss-based ezz-thetics label's Revisited strand of reissues is a jazz connoisseur's dream. The label identifies outstanding albums of the 1960s, sets one of its gifted audio engineers to mastering them and makes them newly available. Earlier editions of many of these albums are hard to find and the sound on all of them is substantially ...
Charles Mingus: The Lost Album from Ronnie Scott's
by Mike Jurkovic
After the emotional and economic bankruptcies of the late 1960s that nearly took him out of the picture entirely, 1972 broke well for Charles Mingus. He had re-signed with Columbia and delivered the revered Let My Children Hear Music. (He would, a year later, be part of the great Clive Davis jazz purge of 1973 which ...
