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7

Article: Album Review

Gabriele Mitelli / John Edwards / Mark Sanders: Three Tsuru Origami

Read "Three Tsuru Origami" reviewed by Mark Corroto


Birds of a feather, as they say, flock together. Proof positive is the trio of Italian trumpeter Gabriele Mitelli (who also doubles on soprano saxophone and electronics), and the Englishmen, bassist John Edwards and drummer Mark Sanders. Three Tsuru Origami (tsuru is the Japanese word for crane) continues the avian theme with the bulk of the ...

14

Article: Album Review

Tim Berne - Matt Mitchell: One More Please

Read "One More Please" reviewed by Dan McClenaghan


Saxophonist Tim Berne has gained most of his notoriety via small group recordings, with ensembles such as Big Satan, Hard Cell, Snakeoil and Science Friction. His partnership with ECM Records, beginning with 2012's Snakeoil--after a few sideman contributions on the label--lifted his profile, deservedly. His approach to making music might be called “out there in deep ...

3

Article: Radio & Podcasts

From Sergio Mendes to Susan Alcorn

Read "From Sergio Mendes to Susan Alcorn" reviewed by Jerome Wilson


This show covers a wide swath of creative music, going from Sergio Mendes and Julie Driscoll to June Tyson and Susan Alcorn. Don Byron and Ryan Keberle are among the others who appear on the program. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from he Complete Novus & Columbia Recordings ...

30

Article: Interview

Jamie Krents: Hardcore Jazz Fan And New President Of Impulse!

Read "Jamie Krents: Hardcore Jazz Fan And New President Of Impulse!" reviewed by Chris May


For jazz lovers in general, and Impulse! devotees in particular, the future just got brighter, more orange and more black. Jamie Krents, a longtime Impulse! aficionado, has been appointed the label's president. In his previous role as executive vice president, Krents played a determining role in recent signings such as The Comet Is Coming (pictured), The ...

7

Article: Live Review

Monterey Jazz Festival at 65: Let it Happen

Read "Monterey Jazz Festival at 65: Let it Happen" reviewed by Josef Woodard


Monterey Jazz Festival Monterey County Fairgrounds Monterey, CA September 23-25, 2022 For the finale of the arena portion of this year's Monterey Jazz Festival programming, Gregory Porter channeled one of the aspects which make him special in the jazz pantheon, as spirit mover with gospel roots, and with show biz instincts ...

3

Article: Album Review

Joe Harriott: Swings High

Read "Swings High" reviewed by Chris May


Like many players who are primarily thought of as “experimental" and/or “free form"—and virtually all of the best of them--the Jamaican-born, later London-based alto saxophonist Joe Harriott was also a master of straight four/four jazz and Great American Songbook balladry. Yet in 2022, Harriott (1928-1973) is almost exclusively remembered either for his adventures in Indo-jazz fusion ...

8

Article: Album Review

Henry Franklin: Jazz Is Dead 14

Read "Jazz Is Dead 14" reviewed by Chris May


Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...

14

Article: Album Review

James Brandon Lewis Quartet: Molecular Systemic Music Live

Read "Molecular Systemic Music Live" reviewed by Dan McClenaghan


With Molecular Systemic Music Live, saxophonist James Brandon Lewis and his quartet present the compositions of his 2020 album Molecular. The difference is that things are a good deal more stretched out. The music has gone from a single CD to a two CD package. With the extended tunes, the musicians—especially pianist Aruan Ortiz—get more opportunity ...

23

Article: Interview

Ramsey Lewis: Life is Good

Read "Ramsey Lewis: Life is Good" reviewed by Jacob Blickenstaff


Some jazz aficionados might characterize pianist Ramsey Lewis' music as a gateway into more serious jazz, as if popular Lewis albums like The In Crowd (Verve, 1965) were meant to lead novice listeners to saxophonist Ornette Coleman's The Shape of Jazz to Come (Atlantic, 1959). But Lewis' commercial successes should not be viewed as a liability ...

24

Article: Under the Radar

A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla

Read "A Different Drummer, Pt. 8: Ustad Zakir Hussain Talks Tabla" reviewed by Karl Ackermann


Origins of the Tabla The twin hand drum was developed in its current form about 300 years ago on the Indian subcontinent but the roots of the tabla may date to pre-Muslim, Arabia. The name comes from “tabl," the Arabic word for drum, and temple carvings of tabla-like double-hand drums date to 500 BCE. Tabla is ...


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