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Results for "Orange Grove Publicity"
Chet Doxas: Rich in Symbols II
by Troy Dostert
One of Chet Doxas' more distinctive projects, Rich in Symbols (Ropeadope, 2017), involved the saxophonist/clarinetist engaging the 1980s art movement of New York's Lower East Side, composing pieces that reflected his deep interactions with some of those iconic paintings. Now he has done the same with artists from his native Canada: specifically, the Group of Seven, ...
Gentiane MG: Walls Made of Glass
by Dan McClenaghan
Montreal-based pianist Gentiane Michaud-Gagnon, aka Gentiane MG, got her start in music with the classical side. It was Bill Evans' Portrait In Jazz (Riverside Records, 1960) that nudged her in the direction of the possibilities that improvisation offered. With this in mind, it seems fitting that the cover art for her third album release--Walls Of Glass--features ...
Robert Diack: Small Bridges
by Dan McClenaghan
It is heartening to hear a new artist coming on strong. Drummer Robert Diack's self-released debut, Lost Villages, placed the artist in the visionary column of jazz artists, as he spotlighted, with an original voice, the concept concerning a series of flooded townships in Southern Ontario, Canada, places put underwater in the 1950s for ...
Queen Kong: Fray
by Troy Dostert
Providing further evidence of the capaciousness of the Toronto jazz scene, Queen Kong is a neo-klezmer outfit that brings smart musicianship and some crafty grooves to its debut, Fray. Although the name of the band has a facetious aspect, there's nothing flippant about Queen Kong's music, as it mines a rich vein of cultural resources in ...
Kate Wyatt: Artifact
by Dan McClenaghan
At this point, in June of 2022, there is not a lot of internet chatter concerning Montreal-based pianist Kate Wyatt. Her website does not include a biography. But a trip to YouTube land reveals a bit of music from her debut CD release, Artifact. That may be all anyone needs in terms of an introduction. It ...
Ariane Racicot: Envolée
by Dan McClenaghan
Pianos pop up in odd places--airports, shopping malls, and Quebec's Mount Royal Park, where pianist Ariane Racicot strode up to a lonely upright, sat down and presented an unsuspecting crowd to a killer version of Queen's “Bohemian Rhapsody." This performance then popped up on YouTube, where it has garnered 18 million views. Racicot was ...
Yannick Rieu Generation Quartet: Qui Qu'en Grogne
by Dan McClenaghan
Veteran jazz man Yannick Rieu, based in Montreal, was tagged back in 1988 as one of the top saxophonists in the world, his name mentioned alongside Branford Marsalis, Joe Lovano and Courtney Pine. That set the bar high. A bit over thirty years have passed since he was presented with that high praise. Qui Qu'en Grogne, ...
Yves Léveillé: L’Échelle du Temps
by Troy Dostert
Although he has yet to achieve substantial acclaim beyond his native Canada, Montreal-based pianist Yves Léveillé has made an accomplished series of albums going back to 1999 with Signal Commun, the first of several releases on Effendi Records. Léveillé's music possesses a strong jazz vocabulary, but the pianist also has an abiding classical temperament. A disc ...
JazzLab Orchestra: Loguslabusmuzikus
by Chris M. Slawecki
Jazzlab Orchestra has been a fixture on the jazz scene in Canada for nearly two decades. Their unique heavy sound features six brass and reed players with a relatively standard piano, bass and drum rhythm section, and they've captured that sound on several standalone recordings and presented it on more than 300 concert stages across North ...
Earl MacDonald: Consecrated
by Dan Bilawsky
The searching spirit that drives the work of composer and pianist Earl MacDonald is both a reflection on musical curiosity and, to a deeper extent, a statement of faith. Bringing both of those identity-shaping aspects to the fore like never before, MacDonald uses Consecrated to work toward a higher purpose. Reshaping and resetting a series of ...
