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Rez Abbasi: Django-shift
by Karl Ackermann
Django Reinhardt's music is so ubiquitous that it's easy to forget his career was relatively brief. The gypsy guitarist/composer had recorded hundreds of 78s and acetates before he died of a stroke in 1953 at age forty-three. On many early sides, he played a six-string banjo-guitar hybrid tuned in the standard tuning of a guitar. Norman ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho
by Chris May
Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...
Results for pages tagged "Norman Granz"...
Nat "King" Cole: Hittin’ the Ramp: The Early Years (1936-1943)
by Victor L. Schermer
While he achieved fame and fortune as a pops crooner of the 1950s-60s, Nat “King" Cole firmly occupies a place in jazz history. Unlike Frank Sinatra, Tony Bennett, Rosemary Clooney and others who began their careers as singers, Cole started out as a pianist, composer/arranger, and band leader, working small clubs in Chicago, soon adding vocals ...
Norman Granz and Verve Records (1944 - 1962)
by Russell Perry
In July 2, 1944, Norman Granz, a jazz fan and small-time LA promoter staged a concert in the Philharmonic Auditorium with $300 of borrowed money. His “Jazz at the Philharmonic" concerts were hugely successful and became tours that ran until 1957. These tours and the record labels they spawned—Clef, Norgran and especially Verve—became home to many ...
Yardbird - The Savoy and Dial Recordings of Charlie Parker (1945 - 1948)
by Russell Perry
Emerging from the Jay McShann Orchestra in Kansas City and relentlessly curious about how to play the new music he heard in his head, Charlie Parker found sympathetic players in New York, especially Dizzy Gillespie. In November of 1945, Bird, as he was universally known, began to record with his own quintets and sextets in a ...
Ella Plays Dice
by Eve Goldberg
Ella Fitzgerald was eating a piece of pie when the police burst into her dressing room, guns drawn. Nearby, Dizzy Gillespie and saxophonist Illinois Jacquet were playing a game of craps. The place was Houston, Texas. The date was October 7, 1955. The occasion was a sold-out concert at The Music Hall, one stop on tour ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1
by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
"Funny Face" 60th Anniversary Celebrated With Deluxe, Expanded Version Of Soundtrack via Verve Records/UMe
60th ANNIVERSARY OF “FUNNY FACE” CELEBRATED WITH DELUXE, EXPANDED VERSION OF SOUNDTRACK FROM CLASSIC FILM STARRING FRED ASTAIRE AND AUDREY HEPBURN ORIGINAL 13 SELECTIONS ARE FULLY RESTORED AND AUGMENTED BY EIGHT PREVIOUSLY UNRELEASED BONUS TRACKS To celebrate the 60th anniversary of the classic Audrey Hepburn/Fred Astaire musical film, “Funny Face,” Verve Records/UMe is releasing an expanded ...
