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Results for "Nils Petter Molvær"
Food: Mercurial Balm
by Karl Ackermann
In their sophomore outing on the ECM label, Food continues their shape-shifting evolution, both in personnel and musical outcomes. With influences of jazz, electronica and world music, UK saxophonist Iain Ballamy and Norwegian percussionist Thomas Strønen remain as the nucleus of a group that has managed to reinvent itself with each of its seven releases. Through ...
Hanna Paulsberg Concept: Waltz for Lilli
by John Kelman
Norway's place on the international jazz map has been assured for decades: first with saxophonist Jan Garbarek, guitarist Terje Rypdal and bassist Arild Andersen; then, a second wave including trumpeters Arve Henriksen and Nils Petter Molvær, and pianists Bugge Wesseltoft and Christian Wallumrød; and, more recently, in another wave featuring In the Country and Splashgirl. Still, ...
Norwegian Guitarist Morten Molster: 1963-2013
By Jon Trygve Utne Morten Mølster, aged 50, died from a sudden cardiac arrest Monday this week during physical exercise. To fans of trumpeter Nils Petter Molvær, he will be remembered for playing on the iconic album Khmer (ECM, 1997), but in Norway he was best known as the guitarist in The September When, in the ...
Food: Mercurial Balm
by John Kelman
While Anglo/Norwegian musical encounters have recently been on the rise--Norway's In the Country and Jaga Jazzist, for example, recently discovering respective nexus points with British pedal steel guitarist BJ Cole and the Britten Sinfonia--it's of no small significance that Food has been exploring trans-national connective threads for a considerably longer time, with its eponymous 1999 recorded ...
Erik Honore: Small Sonic Postcards
by Nenad Georgievski
Compared to the rest of Europe, Norway's thriving music scene--be it jazz, pop, electronic or in-between genres--seems to be the most varied. Since1996/97, with the release of a number of seminal recordings including trumpeter Nils Petter Molvær's Khmer (ECM, 1997), keyboardist Bugge Wesseltoft's New Conception of Jazz (Jazzland, 1996) and noise improv quartet Supersilent's triple-disc debut, ...
ECM: A Cultural Archeology
by John Kelman
ECM: A Cultural ArcheologyHaus der KunstMünchen, GermanyNovember 23, 2012-February 10, 2013A trip to München (Munich) is a bit like a pilgrimage for fans of Germany's ECM label, especially right now, with the city's Haus der Kunst hosting a three-month exhibition, ECM: A Cultural Archeology, celebrating the music of this nearly 44 ...
Food: Mercurial Balm
by David McLean
Food's seventh studio album and second for the ECM label is easily the most cohesive offering from its varied discography. A combination of live and studio recordings, British saxophonist Iain Ballamy and Norwegian beat technician Thomas Strønen travel through a rich plateau of effervescent electronics, propulsive yet angular rhythms and near twilight jazz phrasings, which combine ...
Trilok Gurtu: Where East Meets West
by Adriana Carcu
Percussionist Trilok Gurtu belongs to that elevated group of musicians who, along their careers, have not only acquired a uniqueness of sound, but have also contributed to the widening of the notion of contemporary music. By crossing genre boundaries, and by mingling styles and ethnic influences, Gurtu has created and performed within the generous sound space ...
Eivind Aarset: Dream Logic
by John Kelman
With the exception of trumpeter Nils Petter Molvær and singer Sidsel Endresen--who each left the label after contributing two fine albums as leaders--there seems to be an increasing number of Norwegian artists who, after establishing themselves on smaller labels, are gaining greater international exposure by moving to the venerable ECM label. Trumpeter Arve Henriksen and Cartography ...
Sidsel Endresen @ 60: Oslo, Norway, November 8-9, 2012
by John Kelman
Sidsel Endresen @ 60: A Special Birthday CelebrationNasjonal Jazzscene VictoriaOslo, NorwayNovember 8-9, 2012Turning 60 can mean different things to different people: for some, it's a time to think about slowing down, and for others, it's a time to kick into higher gear. In the case of jazz and improvising musicians, age ...

