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February Forays
by Nick Catalano
February is one of those months when this New York Beat column could expand into a full periodical because of the plethora of jazz activity occurring in Gotham. I began my trek early in the month, when the city was buried in crystal mounds of snow from winter storms that had pounded the ...
Sounds of Norway
by Nick Catalano
Perhaps because of the staggering snowfalls which have occurred in the northeast since winter started, my mind recently turned to Scandinavia. I was listening to some recordings that I brought back from Denmark on a visit last year, and wondering what those Nordic musicians were up to these days when some new music arrived in the ...
Art Tatum Goes To College
by Nick Catalano
After teaching jazz studies at my university for over 30 years, I have amended many original pedagogical goals and done a great deal of revisionist thinking. Although some of my students are part-time musicians, mostly with perfunctory training, most of them like the pop music of the day and take my course because they have heard ...
Chamber Jazz
by Nick Catalano
The term “chamber jazz" has risen steadily in prominence in recent years and dealing with its essence is not a simple matter. Jazz seems to constantly involve itself with terms (swing, hard bop, fusion) that defy meaningful compartmentalization. I spend hours discussing some of these terms in my jazz class at Pace University and often fail ...
The New Paquito D'Rivera
by Nick Catalano
Several years ago I attended a performance at Dizzy's Club Coca-Cola starring Paquito D'Rivera and a new ensemble that he had organized dubbed the Panamericana orchestra. It was a notable evening and I was very enthusiastic about the music and eagerly wrote about it in New York Beat.I had had some history with D'Rivera ...
Jazz International
by Nick Catalano
More and more recordings from offshore jazz musicians keep arriving in my mailbox each month and they are beginning to outnumber domestic releases. This is an obvious sign of the exponential growth of internationalism in the music and a signal to American jazz critics that their reviewing responsibility must include ample coverage of this phenomenon.
The Walden School
by Nick Catalano
Although musicians continue to complain about lack of work, a paucity of venues, and other obstacles to their careers, jazz and other improvisational styles continue to develop because of the plethora of music schools currently dotting the American landscape. There are many artists who can recall the days when North Texas State was ...
Maria Schneider at Birdland
by Nick Catalano
The jazz tradition of third stream music initiated by Gil Evans (with Miles Davis) nearly 50 years ago has been dutifully preserved by Maria Schneider since she founded her orchestra in 1992. The tradition seeks to combine the modern harmonies created by 20th century classical composers with the rhythmical, improvisational structures of jazz. The style was ...
More British Jazz: Edition Records
by Nick Catalano
During the past few years much attention has been given in this column to currents in European jazz. The British scene is characterized by intense club activity and a robust recording output epitomized by Edition Records—a label unafraid to support new compositional ideas and innovative styles.A recently released CD displays the compositions of Dave ...
The Ted Nash Quintet at Dizzy's
by Nick Catalano
It seems just yesterday that Wynton Marsalis filled the chairs in the new Lincoln Center Jazz Orchestra with young unknown musicians. But here it is 2010 and most of the initial personnel have gone on to become important jazz figures leading their own groups and recording prolifically. Among the most notable of these is Ted Nash. ...
