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Nick Brignola
Born:
Internationally renowned jazz baritone saxophonist Nick Brignola came from a musical family in Troy, N.Y. His grandfather played tuba and his father worked his way through school playing banjo and guitar at parties and dances. Nick, mainly self taught, began playing clarinet at age eleven, then added the alto and tenor saxophones and flute. His major instrument became the baritone saxophone at age twenty, when his alto was being repaired and the only "loaner" the music store had available was a baritone. The rest, as they say, is history. Nick listened to many forms of music at home and his earliest influences included Paul Desmond of the Dave Brubeck Quartet and the big bands of Benny Goodman, Harry James and Woody Herman
Ron Blake, feat. Reuben Rogers & John Hadfield: SCRATCH Band
by Jack Bowers
There several interesting features that single out saxophonist Ron Blake's new recording with what he refers to as his SCRATCH Band. First, the Puerto Rican-born Blake, best known for his work on tenor saxophone, plays baritone sax on five of the album's nine numbers, tenor sax on only three, tenor and soprano (separately) on one of ...
Saul Dautch: Music for the People
by Jack Bowers
It is always a pleasure to hear a straight-ahead contemporary jazz quintet whose front line consists of baritone sax and trumpet, especially when it is as well-drawn as Florida-bred baritone Saul Dautch's debut recording, Music for the People, on which he shares melodic assignments with trumpeter Noah Halpern and, to a lesser extent, pianist Miki Yamanaka. ...
Nick Brignola: Between A Rock And The Jazz Place, Part 2
by Rob Rosenblum
Part 1 | Part 2 This interview was originally published in 1969 in an Albany, New York area arts publication called Transition. It documents a time when saxophonist Nick Brignola was in the process of trying to break out of the confines of bebop and incorporate some of the elements of fusion that was ...
The Changing Times of Cecil McBee
by Rob Rosenblum
It was 1971 and the jazz scene was struggling and jazz musicians were grabbing gigs wherever they could. Many were moving to Europe where they felt they had greater acceptance. It was at that time when Albany, New York area saxophonist Nick Brignola connected with the State University of New York and produced the first and ...
Dave Schumacher & Cubeye: Smoke in the Sky
by Jack Bowers
Chicago-bred, New York-based baritone saxophonist Dave Schumacher leans heavily toward Latin melodies and rhythms on Smoke in the Sky, his recording of an able septet he has dubbed Cubeye. Contemporary jazz lies at the core of Schumacher's cross- cultural endeavor, one that his like-minded teammates take readily to heart while lending their insight and expertise to ...
David Larsen: Cohesion
by Edward Blanco
Baritone saxophonist David Larsen has produced one of the finest albums of pure hard bop music on the jazz landscape of today. Cohesion contains a treasure trove of fresh new original material from Larsen and tenor saxophonist Darryl Yokley. Larsen leads the driving, dark and impassioned sounds of hard bop. His pronounced baritone voice is best ...
Jason Marshall: New Beginnings
by Jack Bowers
Anyone who appreciates the thunderous sound of an assertive baritone sax should love New Beginnings, an emphatic quartet date that shines a light on Jason Marshall's muscular horn and keeps it there from start to finish. While his teammates (Marc Cary, piano; Gerald Cannon, bass; Willie Jones III, drums) converse eloquently on every ...
Frank Basile / Sam Dillon Quintet: 2 Part Solution
by Jack Bowers
If recent albums serve as an accurate guidepost, hard bop is making a broad and most welcome comeback. In the wake of high-octane albums by Adam Shulman, Gary Dudzienski, Cory Weeds (who doubles as producer-in-chief at Cellar Records), Marshal Herridge, the TNEK Jazz Quintet, Jerry Bergonzi, Keith Oxman, John Sneider and others comes 2 Part Solution, ...
20 Seattle Jazz Musicians You Should Know: Marc Seales
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and 30's. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
