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Satoko Fujii Ma-Do: Desert Ship
by Raul d'Gama Rose
Satoko Fujii Ma-DoDesert ShipNot Two Records2010 Pianist Satoko Fujii's music on Desert Ship, for the quartet Ma-Do, sits in a phantasmagorical realm that is located artistically somewhere between composer Gustav Holst's Planets and film director Stanley Kubrick's 2001: A Space Odyssey. The sojourn begins in a down to ...
Gato Libre: Shiro
by AAJ Italy Staff
Il Gato Libre del trombettista Natsuki Tamura giunge al quarto capitolo confermando i caratteri di un'estetica transculturale che s'ispira alle musiche popolari europee per creare una sintesi dalle tinte radiose, giocata principalmente sulle suggestioni timbriche e la cantabilità melodica. Il primo nucleo del progetto era un duo costituito da Tamura e dal bassista Norikatsu Koreyasu. Dopo ...
Satoko Fujii ma-do: Desert Ship
by John Sharpe
Desert Ship represents the second outing by Japanese pianist Satoko Fujii's ma-do quartet, following on from the acclaimed Heat Wave (Not Two, 2008). Like its predecessor, this well-recorded studio session presents an eclectic set of nine original compositions in a 57-minute program. Already with a discography numbering over 60 entries, Fujii has provided a catalog as ...
Gato Libre: Shiro
by Dan McClenaghan
Japanese trumpeter Natsuki Tamura's name is most often mentioned in the press for his work with his wife, Satoko Fujii. The Japanese pianist casts a blinding light with her prolific output, and a fearless and unfettered musical vision. Tamura sits in as either a sideman or collaborator on many, if not most, of her CDs.
Satoko Fujii Ma-Do: Desert Ship
by Dan McClenaghan
Pianist/bandleader Satoko Fujii's Ma-Do Quartet is loud, with a dense volume that is often stately, often fractured. The same can be said of much of her recorded output.Fujii is a stunningly prolific artist who records in a dizzying array of ensemble configurations. Of her two most notable quartets, the Ma-Do band is described as ...
Satoko Fujii Ma-Do: Desert Ship
by Troy Collins
On her 50th album as a leader/co-leader, prolific Japanese pianist Satoko Fujii reconvenes her newest acoustic quartet, Ma-Do, for its sophomore effort, Desert Ship. Following in the footsteps of 2008's brilliant Heat Wave (Not Two), this vivacious studio set continues to explore the darker regions of Fujii's oeuvre. More heavily notated than some of ...
Trumpeter Natsuki Tamura Moves from One Musical Extreme to Another on Two New Releases out March 23 on Libra
Tamura debuts new First Meeting group and produces fourth Gato Libre album. “Tamura develops his solos with smears and slurred phrases that lead up to eruptive outbursts on his horn.... he takes his instrument to precarious heights and to burrowing depths."-- Frank Rubolino, CadenceTrumpeter Natsuki Tamura swings from the most hard-edged abstraction to ...
Larry Och's Sax & Drumming Core: Stone Shift
by John Sharpe
Fifty years after its inception, the avant-garde still regularly begs the hoary old question “Is it jazz?" Notwithstanding that it has persisted as an active style as long or longer than most of its predecessors, with a small but committed following around the globe while continuing to reinvent itself in different ways wherever the seed germinates, ...
Cloudy Then Sunny
Label:
Released: 2009
Track listing:
01. Computer Virus - 2:13;
02. Chilly Wind - 6:47;
03. Back And Forth - 4:52;
04. Night Came In Manhattan - 2:24;
05. Chinese Kitchen - 4:11;
06. Multiple Personalities - 6:57;
07. Opera By Rats - 5:17;
08. Alligators Running In The Sewers - 5:39;
09. Soldier's Depression - 6:26;
10. One Equation - 6:57;
11. Cloudy Then Sunny - 4:21.
Tutte le composizioni sono di Satoko Fujii.
Larry Ochs Sax & Drumming Core: Stone Shift
by Kurt Gottschalk
Larry Ochs, best known for his work with the long-standing ROVA saxophone quartet, has been working an unusual and satisfying side project for close to a decade. His Drumming Core, founded in 2000, is a trio with two drummers dedicated to exploring American field hollers and Asian chants. The first two CDs were rewarding, if more ...
