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Album

Indifference Culture

Label: Empirical Music
Released: 2019
Track listing: 1 – Non-verbal Language (Tom Farmer) 2 – Persephone (Lewis Wright) 3 – Jebel Barkal (Shaney Forbes) 4 – The Master (Lewis Wright) 5 – Indifference Culture (Tom Farmer) 6 – Celestial Being (Shaney Forbes)

Album

Distraction Tactics

Label: Empirical Music
Released: 2018
Track listing: ‘Distraction Tactics’ - Tom Farmer ‘Substrate’ - Tom Farmer ‘No Service’ - Tom Farmer ‘Jebel Barkal (Communion)’ - Shaney Forbes ‘Big Step’ - Nathaniel Facey

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Article: Extended Analysis

The Last Night At The Old Place

Read "The Last Night At The Old Place" reviewed by Duncan Heining


By any standards the release of The Last Night At The Old Place will prove to be one of archive releases of the year, second only, perhaps, to the 'Lost' Coltrane album. All power, therefore, to Mike Gavin who has inherited the Cadillac catalogue from the late John Jack with his first release of archive material. ...

14

Article: Album Review

Theo Jackson: Shoeless And The Girl

Read "Shoeless And The Girl" reviewed by Bruce Lindsay


Theo Jackson's second album, Shoeless And The Girl, is an old-fashioned kind of record. That's “old-fashioned" as in melodic, swinging, understated, lyrically engaging--old-fashioned in a really good way.Jackson's debut, Jericho (Self Produced, 2012), was impressive but the lengthy songs sometimes lost focus. Shoeless And The Girl is a more mature, more savvy, album: the ...

1

News: Award / Grant

Jazz FM Awards 2013 Nominees Announced

Jazz FM Awards 2013 Nominees Announced

And the Nominees are... Jamie Cullum, Sonny Rollins and Roller Trio up for the Inaugural Jazz FM Awards 2013 With three months to go until the first Jazz FM Awards Powered by Klipsch, the nominations have been announced today, revealing that 2013 see’s Jamie Cullum up for UK Jazz Artist of the ...

11

Article: JazzLife UK

The Art Of The Song

Read "The Art Of The Song" reviewed by Bruce Lindsay


Singing is possibly the most universal of the arts, certainly of the musical arts. The human voice is the most portable of instruments, always there, always available. It's also the most expressive of instruments: almost every instrument invented in history has at some time or other been used to mimic the voice; none have truly succeeded.

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Article: Album Review

Theo Jackson: Jericho

Read "Jericho" reviewed by Bruce Lindsay


Singer, pianist and songwriter Theo Jackson lives in Oxford, of university fame, and his debut album Jericho is named after an area of the city rather than the ancient town that suffered so much from an excessively loud horn section. There's no need to fear excessively loud horns here: Jackson and his quartet build drama with ...

142

Article: Live Review

Enjoy Jazz, 13th Edition: Heidelberg/Mannheim/Ludwigshafen, Germany, October 27-November 1, 2011

Read "Enjoy Jazz, 13th Edition: Heidelberg/Mannheim/Ludwigshafen, Germany, October 27-November 1, 2011" reviewed by John Kelman


Enjoy Jazz FestivalMannheim/Heidelberg/Ludwigshafen, GermanyOctober 27--November 1, 2011 It's always great to return somewhere that has become an annual port of call, but it's particularly nice to return to Germany's Enjoy Jazz, that atypical jazz festival which--rather than running for a week and concentrating a whack of shows in that short time frame--runs ...

218

Article: Extended Analysis

Empirical: Elements Of Truth

Read "Empirical: Elements Of Truth" reviewed by Chris May


EmpiricalElements Of TruthNaim Jazz2011 Empirical's second album, Out 'n' In (Naim, 2009), is a hard act to follow. The salute to reed player Eric Dolphy deservedly won the band Best Jazz Act in the 2010 MOBO Awards. Elements Of Truth rises confidently, if not wholly successfully, to ...

281

Article: Extended Analysis

Billy Jenkins: Jazz Gives Me The Blues

Read "Billy Jenkins: Jazz Gives Me The Blues" reviewed by Chris May


Billy JenkinsJazz Gives Me The BluesVOTP Records2011 If the title Jazz Gives Me The Blues suggests that London guitarist/vocalist Billy Jenkins is hacked off with jazz, you would be right. Kind of. What Jenkins objects to is the gentrification and institutionalization of jazz, once--a quantum leap from ...


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