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10

Article: Album Review

Rodrigo Amado This Is Our Language Quartet: Let The Free Be Men

Read "Let The Free Be Men" reviewed by Mark Corroto


If you are not hip to Portuguese saxophonist Rodrigo Amado, where, as they say, have you been? He has garnered acclaim for many years now, with his own Motion Trio, Lisbon Improvised Players, The Wire Quartet, Luís Lopes' Humanization 4tet, and in duos with Chris Corsano and trios with Kent Kessler and Paal Nilssen-Love. If, though, ...

2

Article: Radio & Podcasts

New albums from Taubenhouse, Carney, Lewis, and Booth and more!

Read "New albums from Taubenhouse, Carney, Lewis, and Booth and more!" reviewed by Bob Osborne


All recent releases this time around with the third volume in the Moments In Trio series from Yaniv Taubenhouse leading the way. There is also free improvisation mixed with modal jazz from Zane Carney, as well as the stunning new album from James Brandon Lewis. Original music and a unique ensemble sound that pushes at the ...

5

Article: Multiple Reviews

The Pandemic Sessions: Solos, Part 2

Read "The Pandemic Sessions: Solos, Part 2" reviewed by Mark Corroto


Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis, and of course, that included musicians. Unable to tour and record with their various ensembles, many artists prepared solo projects (some recorded before the virus struck). Most of the music is very personal, as if the artists are asking ...

29

Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...

6

Article: Album Review

Nate Wooley / Liudas Mockunas / Barry Guy / Arkadijus Gotesmanas: Nox

Read "Nox" reviewed by John Sharpe


Nox presents a four-piece uniting two of Lithuania's finest improvisers, reedman Liudas Mockunas and drummer Arkadijus Gotesmanas, with two world class instrumentalists, trumpeter Nate Wooley and bassist Barry Guy. Recorded at the 2019 Improdimensions Festival in Vilnius, the limited edition LP (also available as a download) contains three collectively sculpted tracks, demonstrating a unity of purpose ...

4

Article: Radio & Podcasts

Nate Wooley, UMO, Alban Darche & Chick Corea

Read "Nate Wooley, UMO, Alban Darche & Chick Corea" reviewed by Maurice Hogue


This show has a tribute to the great Chick Corea and new releases from here and there: Finland's UMO Helsinki Jazz Orchestra, France's Le Gros Cube led by saxophonist Alban Darche, Australian's Alister Spence Trio augmented by guitarist Ed Kuepper, Canada's See Through 4, another guitarist Jörg Schippa from Germany, and Nate Wooley's Mutual Aid Music. ...

1

Article: Album Review

Matthew Shipp: The Piano Equation

Read "The Piano Equation" reviewed by Giuseppe Segala


È difficile non riconoscere fin dalle prime battute lo stile pianistico di Matthew Shipp: l'articolazione del tocco che combina geometrie complesse, dure, spigolose, e volate leggere, quasi noncuranti su alcuni passaggi; l'indugiare sulle sonorità scure di certi accordi e cluster; il soffermarsi su motivi ostinati, liberandosi di essi attraverso virate repentine di atmosfera; i contrasti dinamici. ...

1

Article: Radio & Podcasts

Gard Nilssen, Sam Rivers, Laura Toxvaerd & Dan Blake

Read "Gard Nilssen, Sam Rivers, Laura Toxvaerd & Dan Blake" reviewed by Maurice Hogue


Drummers sparkle in the first hour of this edition of OMJ--Norway's Gard Nilssen with his Supersonic Orchestra, free jazz veteran Abbey Rader, and the iconoclastic RaKalam Bob Moses--plus a long track from some newly released music from the private stash of Sam Rivers. The second hour is a mix of styles, even including some blues from ...

48

Article: Building a Jazz Library

Solo Recordings for Non-Traditionalists

Read "Solo Recordings for Non-Traditionalists" reviewed by Karl Ackermann


On January 24, 1975, a Bösendorfer 290 Imperial concert grand piano was to be wheeled onto the stage of the Cologne Opera House. Instead, a rehearsal piano, smaller, beaten-up, and out of tune, was the only instrument available to then twenty-nine-year-old piano prodigy Keith Jarrett. The pianist was not in much better shape than the piano. ...

Album

Known/Unknown

Label: Fundacja Sluchaj
Released: 2020
Track listing: Known; Unknown; Untitled.


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