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Frame Trio: Luminária
by John Sharpe
With freely improvised music, you have to trust that the performers will take you somewhere you want to go and that the journey itself will be as worthwhile as the destination, if not more so. Those expectations are more than met by the Frame Trio on Luminária, the first album by the collective of trumpeter Luís ...
Moppa Elliott: Jazz Band/Rock Band/Dance Band
by Jerome Wilson
Bassist Moppa Elliott is best known as the leader of the surrealistic jazz group, Mostly Other People Do The Killing, but his musical universe, encompassing work with symphony orchestras and new music ensembles, stretches much farther than that band's frantic music. This is reflected in this 2 CD set of Elliott leading three different types of ...
Nate Wooley: Columbia Icefield
by Don Phipps
Nate Wooley's Columbia Icefield begins with a dueling repetition of chords by bandmates Mary Halvorson and Susan Alcorn on “Lionel Trilling." The ambiguity generated by this back and forth is the perfect start to his album's shape-shifting music. Wooley's trumpet is both poetic and piercing. There's a sense of longing in his tone and ...
Reissued Eric Dolphy and new sounds from Federica Michisanti
by Bob Osborne
The release of 1963 recordings from Eric Dolphy on Musical Prophet together with new music from Italian bassist Federica Michisanti, alongside a broad selection of older tracks make up an eclectic show. Playlist Eric Dolphy “Jitterbug Waltz" from Musical Prophet: The Expanded 1963 New York Studio Sessions (Resonance) 00:00 Federica Michisanti Horn Trio ...
Kris Davis/Matt Mitchell/Aruán Ortiz/Matthew Shipp: New American Songbooks, Volume 2
by Karl Ackermann
Nate Wooley--as a Producer--equals his composer, improviser, and trumpeter alter ego. The editor-in-chief of the journal Sound American and distributor of music through the label of the same name, has issued a second edition of his forward thinking New American Songbook series. New American Songbooks, Volume 1, (Pleasure of the Text, 2017) was a cooperative trio ...
Dave Rempis / Brandon Lopez / Ryan Packard: The Early Bird Gets
by Mark Corroto
The trio of saxophonist Dave Rempis, bassist Brandon Lopez, and drummer Ryan Packard have released their debut recording The Early Bird Gets without devising a name for the trio. Packard, like his fellow Chicagoan Tim Daisy, is a percussionist, composer, and sound artist. He is a member of Rempis' Chicago-based Gunwale, along with Albert Wildeman. With ...
Favourite Releases of 2018
by Maurice Hogue
This episode (and the next) features music from some of the great albums released and played on One Man's Jazz in 2018. You'll hear tracks from recordings by Sean Conly, Quin Kirchner, Mario Costa, Benoit Delbecq, Cene Resnik, First Gig Never Happened, Sound & Fury, Samuel Blaser, Albert Beger & Shay Hazan, Michael Formanek, Devin Gray, ...
Ken Vandermark / Nate Wooley / Sylvie Courvoisier / Tom Rainey: Noise Of Our Time
by John Sharpe
This summit of talent actually delivers what the title promises. The quartet creates an all-encompassing portrait of the state of the art, in which what might be thought noise is adroitly recontextualized in a musical situation. In a way that's what the members have been doing throughout their illustrious careers. Given their daunting skills as improvisers, ...
Ingrid Laubrock: Two Works For Orchestra With Soloists
by Mark Corroto
Large ensemble recordings are just not attempted these days. That is unless one is blessed with Lincoln Center's budget or you happen to be Anthony Braxton or maybe Maria Schneider. Further, to assemble a large cast of 47 musicians plus two conductors for a recording that features written classical music, free improvisation conduction, and superstar soloists ...
Josh Sinton's Predicate Trio: Making Bones, Taking Draughts, Bearing Unstable Millstones Pridefully, Idiotically, Prosaically
by Mark Corroto
Considerate isn't an adjective you generally apply to creative new jazz recordings these days. Vanguard musicians are accustomed to employing the shock and awe required to get attention and satisfy their constituents. Maybe that is why Making Bones, Taking Draughts, Bearing Unstable Millstones Pridefully, Idiotically, Prosaically is such a breath of fresh air. Josh Sinton's Predicate ...
