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Paul Plimley, Evan Parker & Denis Fournier
by Maurice Hogue
This show marks the one-year anniversary of publishing One Man's Jazz on All About Jazz's radio section, and we're taking a decided dip into the “deep end" of the improvisation pool. There's lots of avant-garde, experimental, free form, free improv on the bill. Is it “noise," is it the future? That's for the listener to decide, ...
Stephanie Richards: Take the Neon Lights
by Vincenzo Roggero
Sono due gli elementi principali che emergono all'ascolto di Take the Neon Lights : la straordinaria tecnica strumentale di Steph Richards, nella scia di innovatori come Nate Wooley e Peter Evans, ed una scrittura decisamente originale, anomala, anticonvenzionale. Al secondo album da leader, dopo l'eccellente debutto con l'elettronico Fullmoon, Richards scopre definitivamente le carte mettendo in ...
A focus on Nate Wooley
by Bob Osborne
This time around we focus on trumpeter Nate Wooley. This episode also features a couple of tracks from Fabian Arends and a selection of recent releases and archive cuts. Playlist Ryan Keberle & Catharsis “Para Volar" from The Hope I Hold (Greenleaf) 00:00 Jeong Lim Yang “Moon Tethered" from Déjà Vu (Fresh Sound ...
Rob Mazurek: Desert Encrypts Vol. 1
by Karl Ackermann
It was twenty-five years ago, in 1994, that Rob Mazurek first emerged with Man Facing East (Hep Jazz), a quartet recording solidly positioned in the post/hard bop style. Even in the interpretations of standards, there were clues that the cornetist/composer was a restless soul. In the intervening years, Mazurek has rapidly charted his own dissident destiny ...
Frame Trio: Luminária
by John Sharpe
With freely improvised music, you have to trust that the performers will take you somewhere you want to go and that the journey itself will be as worthwhile as the destination, if not more so. Those expectations are more than met by the Frame Trio on Luminária, the first album by the collective of trumpeter Luís ...
Moppa Elliott: Jazz Band/Rock Band/Dance Band
by Jerome Wilson
Bassist Moppa Elliott is best known as the leader of the surrealistic jazz group, Mostly Other People Do The Killing, but his musical universe, encompassing work with symphony orchestras and new music ensembles, stretches much farther than that band's frantic music. This is reflected in this 2 CD set of Elliott leading three different types of ...
Nate Wooley: Columbia Icefield
by Don Phipps
Nate Wooley's Columbia Icefield begins with a dueling repetition of chords by bandmates Mary Halvorson and Susan Alcorn on “Lionel Trilling." The ambiguity generated by this back and forth is the perfect start to his album's shape-shifting music. Wooley's trumpet is both poetic and piercing. There's a sense of longing in his tone and ...
Reissued Eric Dolphy and new sounds from Federica Michisanti
by Bob Osborne
The release of 1963 recordings from Eric Dolphy on Musical Prophet together with new music from Italian bassist Federica Michisanti, alongside a broad selection of older tracks make up an eclectic show. Playlist Eric Dolphy “Jitterbug Waltz" from Musical Prophet: The Expanded 1963 New York Studio Sessions (Resonance) 00:00 Federica Michisanti Horn Trio ...
Kris Davis/Matt Mitchell/Aruán Ortiz/Matthew Shipp: New American Songbooks, Volume 2
by Karl Ackermann
Nate Wooley--as a Producer--equals his composer, improviser, and trumpeter alter ego. The editor-in-chief of the journal Sound American and distributor of music through the label of the same name, has issued a second edition of his forward thinking New American Songbook series. New American Songbooks, Volume 1, (Pleasure of the Text, 2017) was a cooperative trio ...
Dave Rempis / Brandon Lopez / Ryan Packard: The Early Bird Gets
by Mark Corroto
The trio of saxophonist Dave Rempis, bassist Brandon Lopez, and drummer Ryan Packard have released their debut recording The Early Bird Gets without devising a name for the trio. Packard, like his fellow Chicagoan Tim Daisy, is a percussionist, composer, and sound artist. He is a member of Rempis' Chicago-based Gunwale, along with Albert Wildeman. With ...
