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3

Article: Album Review

The Paul Butterfield Blues Band: Got A Mind to Give Up Living: Live 1966

Read "Got A Mind to Give Up Living: Live 1966" reviewed by Doug Collette


Real Gone Music's release of The Paul Butterfield Blues Band's Live 1966 is a godsend for a number of reasons, not the least of which is that it reminds, if that's indeed necessary, of what a vital influence on contemporary blues was (and is) this sextet. Forget for a moment the profundity of an ...

1

News: Video / DVD

Why The Cornet? (Revisited And Revised With Video)

Why The Cornet? (Revisited And Revised With Video)

Because of circumstances too complicated and mundane to relate, there will be no Monday Recommendation today. Stuff happens. Maybe there will be a Tuesday Recommendation tomorrow. In the meantime, here is a Rifftides post that appeared nearly ten years ago. Possibly you had forgotten about it. The staff has removed outdated links and added video that ...

16

Article: My Blue Note Obsession

Cannonball Adderley: Somethin' Else – 1958

Read "Cannonball Adderley: Somethin' Else – 1958" reviewed by Marc Davis


Is there anything new to say about a jazz classic that features one of the greatest two-horn tandems ever to lay down a blue note? How about this: You must own this record. Period. I suspect that everyone with even a passing interest in jazz owns Miles Davis' Kind of Blue, the best-selling jazz ...

119

Article: Interview

Ron Aprea: On John Lennon, Jazz Legends, And Life In Music

Read "Ron Aprea: On John Lennon, Jazz Legends, And Life In Music" reviewed by Dan Bilawsky


Picture this: The year is 1974 and you've just gotten off the road with Lionel Hampton. The phone rings, and on the other end of the line is an old buddy of yours. After a little small talk, he asks if you're available for a recording session. You indicate that you're free and ask him about ...

24

Article: Profile

James Clay: Texas Tenor, Second Generation

Read "James Clay: Texas Tenor, Second Generation" reviewed by David Perrine


The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...

6

Article: Profile

We Three Kings: The Heath Brothers

Read "We Three Kings: The Heath Brothers" reviewed by AAJ Staff


This article was originally published at All About Jazz in 2002. Bundle these three brothers' experiences and associations through their individual and collective careers, and anyone with even the slightest notion of jazz appreciation will indubitably realize the significance of the Heath triumvirate--bassist Percy, saxophonist Jimmy, and drummer Albert “Tootie." What an ...

16

Article: Album Review

Wolfgang Haffner: Kind Of Cool

Read "Kind Of Cool" reviewed by Bruce Lindsay


Drummer Wolfgang Haffner is one of Germany's most respected and experienced jazz musicians: his 30 year career features recordings with Al Cohn, Joe Pass and Till Bronner as well as numerous albums as leader. On Kind Of Cool he's joined by an excellent line-up of European jazzers, including pianist Jan Lundgren and trombonist Nils Landgren: their ...

8

Article: Live Review

Asian Jazz All-Stars Power Quartet at Ronnie Scott's

Read "Asian Jazz All-Stars Power Quartet at Ronnie Scott's" reviewed by Ian Patterson


Asian Jazz All-Stars Power Quartet Ronnie Scott's EFG London Jazz festival November 20, 2014 One of the most pleasing aspects of the EFG London Jazz Festival is its reach into the many jazz clubs dotted around the capital. Whilst the concert halls host the big names and draw the tourists ...

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Article: My Blue Note Obsession

Introducing the Three Sounds – Blue Note 1600

Read "Introducing the Three Sounds – Blue Note 1600" reviewed by Marc Davis


This is the moment I've been looking forward to, and dreading. The Three Sounds. A piano trio I've heard of, but never heard. And what I'd heard about them wasn't entirely nice. I was sure I would hate them, but still I was very curious. The Three Sounds. Here's a band that was intensely ...

72

Article: Jazzin' Around Europe

Bimhuis at 40: Older, Better, Business as Usual

Read "Bimhuis at 40: Older, Better, Business as Usual" reviewed by Joan Gannij


The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would become ...


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