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Lee Ritenhaur and Dave Grusin: Brasil
Just as sunshine pop offered a counterweight to psychedelic hard rock in the late 1960s, soft jazz evolved in the 1970s as a lighter FM alternative to the mystical psychedelic jazz fusion movement. Two artists who helped pioneer soft jazz were guitarist Lee Ritenour and keyboardist Dave Grusin. Mind you, these categories weren't exclusive. There was ...
The Recording Industry's Music Performance Trust Fund Invests $1.1 Million in Grants to Communities to Celebrate Jazz Appreciation Month
The recording industry's Music Performance Trust Fund (MPTF), a leading non-profit organization enriching lives and uniting communities through the power of music, wrapped up its annual initiative to present admission-free live musical performances celebrating Jazz Appreciation Month (JAM) in April. Nearly 5,000 professional musicians in 78 markets across North America performed for appreciative audiences from Honolulu ...
Backgrounder: Sonny Stitt's Night Crawler
When I was collecting Sonny Stitt albums as a kid in the early 1970s, my purchases divided into three categories: not bad, meh and perfection. Back then, there was no internet. Instead, I listened religiously to jazz FM radio stations and entered favorites in a small notebook that fit in my back pocket. Everyone I knew ...
Backgrounder: Jazz Sounds From Peter Gunn
One could argue that Henry Mancini picked up where Bill Holman left off. As noted earlier this week, Bill's arrangements for recordings captured the sound of 1950s Los Angeles' jazzy cool, with his charts clutch-shifting like brand-new cars cruising the region's many freeways. Mancini's music, by contrast, was for TV and the movies, and captured the ...
17 Favorite 1950s Clips by Bill Holman
As an arranger, the late Bill Holman} knew how to set 'em up and knock 'em down. His arrangements always began with a relatively simple melodic idea, which he then whipped up into a flaming meringue, holding dear to the original concept. He loved to put the reeds in play, setting them off with call-and-response harmony ...
Pat Senatore: Groovin' in Rome
At the start of his recording career in 1961, bassist Pat Senatore played in Stan Kenton 's band, both on the road and in the studio. You'll find him on Adventures in Standards and Adventures in Jazz for Capitol. In 1962, Pat joined Les Brown's band and played on TV shows. Then in early 1965, Herb ...
Charles Mingus: Peggy's Blue Skylight
About an hour and 45 minutes north of Manhattan sits the village of Millbrook, N.Y. In the 1960s, a sprawling American Queen Anne mansion just outside the village became something of a counterculture landmark. Built in 1912, the house and the 2,500-acre estate was acquired at the start of the 1960s by the twin sons of ...
2024 JJA Jazz Awards Nominees Announced – 29th Annual Celebrating 48 Categories Of Excellence In Music And Music Media
The Jazz Journalists Association, the international organization of writers, photographers, broadcasters and other media professionals covering jazz, has posted finalist nominees for its 2024 JJA Jazz Awards, the 29th annual celebration of excellence in music and music journalism. Active members of the JJA are currently voting for winners of Awards in 48 categories for recordings and ...
Backgrounder: Larry Young - Into Somethin', 1964
Larry Young was unlike any organist who preceded him. Rather than channel the Black church, he was more influenced by R&B and John Coltrane's tenor saxophone and chord changes on original pieces. One of Young's best middle-period albums—between his early soul-jazz recordings and his modal, avant-garde LPs—is Into Somethin', his first leadership work for Blue Note. ...
Red Garland: Groovy, 1956-57
Pianist Red Garland's Groovy was released by Prestige in mid-December 1957. It was an album comprised of songs left behind on three different recording sessions, but they were hardly scraps. All of the tracks were excellent, and the trio throughout featured Garland's working group at the time—Paul Chamber on bass and Art Taylor on drums. The ...
