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The Wrong Object: After the Exhibition
by AAJ Italy Staff
Sono passati cinque anni dall'album Stories from the Shed e il gruppo belga The Wrong Object torna con un nuovo album intitolato After the Exhibition che segna anche importanti cambiamenti nella band. Rimangono a bordo il chitarrista e indiscusso leader Michel Delville (che compone da solo o in coabitazione sei degli undici brani presenti) e il ...
The Wrong Object: After the Exhibition
by Glenn Astarita
Wrong Object is a Belgian band that has made significant inroads to accomplishing an exalted presence in the jazz-rock and progressive rock communities. The band's sound and strategy encompasses intermittent nods to the fabled British Canterbury progressive-rock scene with inferences to Frank Zappa and jazz-rock extrapolations akin to vintage Soft Machine. Toss in a few Albert ...
DouBt: Mercy, Pity, Peace & Love
by AAJ Italy Staff
Questo eccellente trio guidato dal chitarrista belga Michel Delville ci aveva già colpito nel profondo dell'anima con l'album d'esordio Never Pet a Burning Dog, pubblicato da Moonjune Records nel 2009. Con Delville erano a bordo il tastierista inglese Alex Maguire e il batterista newyorchese Tony Bianco. La formazione rimane immutata anche in occasione del loro secondo ...
Dialeto: The Last Tribe
by Glenn Astarita
The Last Tribe is the Brazilian prog rock power trio's first release on an international scale, issued by New York City-based Moonjune Records, intimating yet another significant offshore discovery produced by this record label to complement its roster of well-established performers and time-honored bands. Nonetheless, Dialeto is a trio that possesses the goods to make a ...
DouBt: Mercy Pity Peace & Love
by Dave Wayne
Quick, name a jazz-rock trio fronted by a dazzling virtuoso keyboardist and a prodigiously talented electric guitarist that plays in a hyper-aggressive no-holds-barred style which combines edgy free improv with a heavy '70s rock sound. If you answered “the original Tony Williams' Lifetime" you aren't alone. One current trio actively probing the outer reaches of jazz ...
SH.TG.N: SH.TG.N
by Dave Wayne
Before the 21st Century, the worlds of metal and jazz rarely, if ever, intersected. But that's all changed, so much so that musicians from both sides of the fence are rethinking their music, demolishing self-imposed genre boundaries and coming up with some truly innovative sounds. Belgium's SH.TG.N has the same sort of pioneering spirit. Yes, the ...
Ligro: Dictionary 2
by Chris M. Slawecki
Recorded in Jakarta (Indonesia) in 2011, Dictionary 2 presents the first international release from one of Indonesia's most acclaimed jazz-rock fusion trios: Drummer/percussionist Gusti Hendy, bassist Adi Darmawan and guitarist Agam Hanzah. (Hendy doubles as a member of Indonesia's pop-rock sensations GIGI.)Dictionary 2 burns with enough kinetic energy to traverse the entire distance of ...
Allan Holdsworth: FLATTire: Music For a Non-Existent Movie
by Glenn Astarita
FLATTire was released in 2001 and highlights Allan Holdsworth's use of the MIDI-controller, guitar-like Synthaxe, and is based on a soundtrack for a non-existent movie, marking a period of reflection in the artist's life. However, the album did not receive much attention amid a sparse print run. Here, the guitarist integrates the broad tonal aspects of ...
Dewa Budjana: Dawai In Paradise
by Glenn Astarita
Eminent guitarist Dewa Budjana's fifth solo album offers a medley of compelling stylistic components steeped in Indo-fusion, jazz fusion, progressive rock and indigenous components of his Indonesian roots. The album also includes older material, spanning 2002 through 2005, featuring US jazz heroes including drummer Peter Erskine, the late bassist Dave Carpenter, and many others who generate ...
Marbin: Last Chapter of Dreaming
by Dave Wayne
Back in the 1970s, fusion used to mean one thing; the melding of jazz improvisation and chord structures with the stylistic eclecticism and pure energy of progressive rock. As a recognizable formula emerged, it became common to hear the exotic strains of various ethnic musics in a jazz-rock fusion context. By the late '70s, its emphasis ...
